The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.
Hilary MantelRead
It is the absence of facts that frightens people: the gap you open, into which they pour their fears, fantasies, desires.
Interpretation
People are often more afraid of the unknown than the known, leading them to fill gaps with their fears and desires.
Hilary Mantel's quote highlights the human tendency to react to uncertainty with fear and imagination. When confronted with a lack of concrete information, individuals often project their anxieties and hopes into the void, creating narratives that reflect their inner turmoil rather than the objective reality. This suggests that knowledge and clarity can help mitigate fears, as people are often more troubled by ambiguity than by facts.
In practice
This quote is perfect for a discussion on public speaking, emphasizing the importance of clarity over ambiguity.
The experienced writer says to the anguished novice: 'Just do it; get something, anything, on to the screen or page, just establish a flow of words, and criticise them later.' You give this advice but can't always take it.
History is always changing behind us, and the past changes a little every time we retell it.
Why are we so attached to the severities of the past? Why are we so proud of having endured our fathers and our mothers, the fireless days and the meatless days, the cold winters and the sharp tongues? It's not as if we had a choice.
He is careful to deny responsibility for September, but he does not, you notice, condemn the killings. He also refrains from killing words, sparing Roland and Buzot, as if they were beneath his notice. August 10 was illegal, he says; so too was the taking of the Bastille. What account can we take of that, in revolution? It is the nature of revolutions to break laws. We are not justices of the peace; we are legislators to a new world.
History offers us vicarious experience. It allows the youngest student to possess the ground equally with his elders; without a knowledge of history to give him a context for present events, he is at the mercy of every social misdiagnosis handed to him.
You can control and censor a child's reading, but you can't control her interpretations; no one can guess how a message that to adults seems banal or ridiculous or outmoded will alter itself and evolve inside the darkness of a child's heart.
Go where you may, search where you will, roam through all of the monarchies and despotisms of the old world, travel through South America, search out every abuse, and when you have found the last, lay your facts by the side of the everyday practices of this nation, and you will say with me that, for revolting barbarity and shameless hypocrisy, America reigns without a rival.
A lot of the evil in the world is actually not intentional. A lot of people in the financial system did a lot of damage without intending to.
The Great Man... is colder, harder, less hesitating, and without fear of 'opinion'; he lacks the virtues that accompany respect and 'respectability,' and altogether everything that is the 'virtue of the herd.' If he cannot lead, he goes alone... He knows he is incommunicable: he finds it tasteless to be familiar... When not speaking to himself, he wears a mask. There is a solitude within him that is inaccessible to praise or blame.
What is it about childhood that never lets you go, even when you're so wrecked it's hard to believe you ever were a child?
What if we discover that our present way of life is irreconcilable with our vocation to become fully human?
The American Constitution, one of the few modern political documents drawn up by men who were forced by the sternest circumstances to think out what they really had to face, instead of chopping logic in a university classroom.
Subscribe for the occasional hand-picked quote. No noise.