The universe is made of stories, not of atoms.
Muriel RukeyserRead
The actual world, not some fantastic structure that has nothing to do with reality, must provide the material for modern poetry.
Interpretation
Modern poetry should be rooted in real experiences and truths from the actual world.
Muriel Rukeyser emphasizes that poetry should be inspired by genuine aspects of reality rather than whimsical or fantastical ideas that have no connection to the truths of life. This perspective underscores the importance of authentic human experiences and emotions as the foundation for artistic expression.
In practice
This quote could be used in a lecture about the significance of authenticity in literature.
The universe is made of stories, not of atoms.
A work of art is one through which the consciousness of the artist is able to give its emotions to anyone who is prepared to receive them.
In our period, they say there is free speech. They say there is no penalty for poets, There is no penalty for writing poems. They say this. This is the penalty.
Nourish beginnings, let us nourish beginnings. Not all things are blest, but the seeds of all things are blest. The blessing is in the seed.
The town of Gauley Bridge stands as a pattern for all those places where people are linked even in the middle of their suffering, where people fight against an evil condition so that other people need not go through the same fight.
Always our wars have been our confessions of weakness
There are wonderfully talented actresses. It's a really rich field. There isn't as rich a field of material.
When people are deprived of a sense, their other senses get heightened. If you're culturally devoid of something - of weather, of artistry, of interesting architecture, all the way down the line to culture itself - you're either forced to give in and get that car dealership, or you manufacture those things for yourself.
Fiction, with its preference for what is small and might elsewhere seem irrelevant; its facility for smuggling us into another skin and allowing us to live a new life there; its painstaking devotion to what without it might go unnoticed and unseen; its respect for contingency, and the unlikely and odd; its willingness to expose itself to moments of low, almost animal being and make them nobly illuminating, can deliver truths we might not otherwise stumble on.
For too many centuries women have been being muses to artists. I wanted to be the muse, I wanted to be the wife of the artist, but I was really trying to avoid the final issue β that I had to do the job myself.
There are two kinds of writers; the great ones who can give you truths, and the lessor ones, who can only give you themselves.
Every man is a plastic artist who must determine things for himself.
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