"He sido un hombre afortunado en la vida, nada me ha sido facil." "I've been a fortunate man in life, nothing has come easy"
Sigmund FreudRead
The adoption of the required attitude of mind towards ideas that seem to emerge "of their own free will" and the abandonment of the critical function that is normally in operation against them seem to be hard of achievement for some people. The "involuntary thoughts" are liable to release a most violent resistance, which seeks to prevent their emergence. If we may trust that great poet and philosopher Friedrich Schiller, however, poetic creation must demand an exactly similar attitude.
Interpretation
Creativity often requires a willingness to embrace spontaneous ideas while overcoming internal resistance.
In this quote, Sigmund Freud emphasizes the importance of adopting a receptive mindset for artistic creation. He suggests that just as involuntary thoughts can be met with resistance, the same is true for creative ideas that emerge spontaneously; overcoming this internal pushback is crucial for poets and artists to fully express their creativity.
In practice
An artist could reference this quote during a workshop on overcoming creative blocks.
"He sido un hombre afortunado en la vida, nada me ha sido facil." "I've been a fortunate man in life, nothing has come easy"
I take up the standpoint that the tendency to aggression is an innate, independent, instinctual disposition in man, and I come back now to the statement that it constitutes the most powerful obstacle to culture.
One day, in retrospect, the years of struggle will strike you as the most beautiful.
We are never so defenseless against suffering as when we love, never so forlornly unhappy as when we have lost our love object or its love.
I cannot think of any need in childhood as strong as the need for a father's protection.
The tendency to aggression is an innate, independent, instinctual disposition in man... it constitutes the powerful obstacle to culture.
From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.
That's still the greatest high, that feeling of being in control of 2,000 people. It's me and them, and I like the odds. It's not even so much the funny. It's getting them quiet. In the quiet moments in '700 Sundays,' I just really love that they're getting moved.
The arts have always served relationships between people of different cultures so well. In a way, the arts function as a very serious kind of ambassador.
I had never before thought of how awful the relationship must be between the musician and his instrument. He has to fill it, this instrument, with the breath of life, his own. He has to make it do what he wants it to do. And a piano is just a piano. It's made out of so much wood and wires and little hammers and big ones, and ivory. While there's only so much you can do with it, the only way to find this out is to try; to try and make it do everything.
The thing that was important to me about Hemingway at the time was that Hemingway taught me that you could be a writer and get away with it.
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