People need to see that, far from being an obstacle, the world's diversity of languages, religions and traditions is a great treasure, affording us precious opportunities to recognize ourselves in others.
Youssou N'DourRead
If you come from Africa with your economic poverty and your cultural riches, and you meet someone like Peter Gabriel or a person from a big record company, and they tell you that what you are doing is marvelous, that makes you feel powerful.
Interpretation
Recognition of one's cultural wealth can empower individuals facing economic challenges.
Youssou N'Dour's quote emphasizes the transformative power of cultural appreciation and acknowledgment. When individuals from economically disadvantaged backgrounds receive recognition for their rich cultural contributions, it can instill a sense of empowerment and significance, validating their identity and artistry in a world that often overlooks such values.
In practice
During a speech at a cultural festival, one might cite this quote to highlight the value of cultural identity.
People need to see that, far from being an obstacle, the world's diversity of languages, religions and traditions is a great treasure, affording us precious opportunities to recognize ourselves in others.
When I'm in Senegal, I can't just sit in isolation making music. People need my help. And the Senegalese people helped create my music. It comes from the country itself.
I think people should know more of Africa in terms of its joie de vivre, its feeling for life. In spite of the images that one knows about Africa - the economic poverty, the corruption - there's a joy to living and a happiness in community, living together, in community life, which may be missing here in America.
I listen to the radio and I like all kinds of music, you know, but I like to hear from people who have been there. Hank Williams has been there.
We are all spirits. We get depressed. But music makes you want to live. I know my music has saved my life.
It's the group sound that's important, even when you're playing a solo.
Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.
I don't have a favorite song that I've written. But I do have a favorite song: 'Always on My Mind,' the Willie Nelson version. If I could sing it like he do, I would sing it every night. I like the story it tells.
I look around me and I don’t see any rock’n’roll at the moment. Instead it’s all choreography and stylists and wigs and stuff. It’s like they’re afraid to let the music breathe. No one has their own identity like the Ronettes did back in the day. We had the skirts with the slits up the side, sort of tough, sort of Spanish Harlem cool, but sweet too. We didn’t have no dancers, we didn’t have no goddamn wigs.
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