Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.
Ralph EllisonRead
I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.
Interpretation
The quote highlights the struggles of writers who seek acceptance but desire it on their own terms.
Ralph Ellison's quote reflects the complex relationship between writers and their audience. He suggests that the emotional pain and difficulty involved in writing stem from a deep yearning for validation, yet this acceptance must align with the writer's personal values and vision. Thus, it emphasizes the tension between the desire for recognition and the need for artistic integrity.
In practice
In a panel discussion on the challenges of creative writing, one might share this quote to emphasize the importance of staying true to oneself.
Life is to be lived, not controlled, and humanity is won by continuing to play in face of certain defeat.
I am invisible, understand, simply because people refuse to see me.
I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.
The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstance whether created by others or by one's own human failings. They are the only consistent art in the United States which constantly remind us of our limitations while encouraging us to see how far we can actually go. When understood in their more profound implication, they are a corrective, an attempt to draw a line upon man's own limitless assertion.
If you can show me how I can cling to that which is real to me, while teaching me a way into the larger society, then and only then will I drop my defenses and hostility, and I will sing your praises and help you to make the desert bear fruit.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn't that what we're all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
I enjoy cooking with wine, sometimes I even put it in the food I'm cooking.
When I made my first film, I think the thing was probably helped me the most was that it was such an unusual thing to do in the early 50s for someone who actually go and make a film. People thought it was impossible. It really is terribly easy. All anybody needs is a camera, a tape recorder, and some imagination.
Perfume is a form of writing, an ink, a choice made in the first person, the dot on the i, a weapon, a courteous gesture, part of the instant, a consequence.
I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.
In order to use color effectively it is necessary to recognize that color deceives continually.
I have never heard a dancer asking for advice about how to stay focused on her footwork, or a painter complaining about the dull day-to-day task of painting. What task worth doing isn't worth daily effort? Do you think Michelangelo was having fun the whole time he was on his back painting the Sistine Chapel's ceiling?
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