My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Pablo PicassoRead
Ah, good taste! What a dreadful thing! Taste is the enemy of creativeness.
Interpretation
Good taste can stifle creativity, according to Picasso.
In this quote, Pablo Picasso suggests that adhering strictly to conventional notions of good taste can hinder artistic expression and innovation. He implies that true creativity often involves breaking rules and challenging established norms, which can be at odds with refined tastes that seek to preserve traditional aesthetics.
In practice
In a discussion about modern art, one might quote Picasso to emphasize the importance of breaking free from traditional artistic constraints.
My whole life has been nothing more than a continuous struggle against Reaction and the death of art.
Painting is just another way of keeping a diary.
In drawing, nothing is better than the first attempt.
He can who thinks he can, and he can't who thinks he can't. This is an inexorable, indisputable law.
You have to have an idea of what you are going to do, but it should be a vague idea.
I paint the way someone bites his fingernails; for me, painting is a bad habit because I don't know nor can I do anything else.
The language that photography has is a formal language. Any photographer is doing something formal. If it's formal, then it must be an aesthetic way to communicate.
No author has created with less emphasis such pathetic characters as Chekhov has.
I think it takes a lot of trickery to keep up with the media and its perception of you. I don't know if I have it in me most of the time to care. The music is made first, and the interviews or photos to keep it alive come later as a necessary evil, I suppose.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.
I love ensemble pieces, I love being a part of the entire tapestry of a piece, but I think character actors do have a lot more fun, and there's a versatility involved that's challenging and fun, to come up to speed and do what's required of you.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
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