A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Louise BourgeoisRead
I always had the fear of being separated and abandoned. The sewing is my attempt to keep things together and make things whole.
Interpretation
This quote reflects the artist's struggle with fear of separation and her creative process as a means of healing and unity.
Louise Bourgeois expresses her deep-seated fear of abandonment and separation, which has profoundly influenced her art. Through sewing, she channels her emotions and attempts to create a sense of cohesion and wholeness, reflecting her inner desire to mend the fragments of her life and experiences, both artistically and personally.
In practice
This quote can be used in an art class discussion about how personal experiences shape artistic expression.
A work of art doesn't have to be explained. If you do not have any feeling about this, I cannot explain it to you. If this doesn't touch you, I have failed.
Clothing is . . . an exercise in memory. It makes me explore the past: how did I feel when I wore that. They are like signposts in the search for the past.
Space is something that you have to define. Otherwise, it is like anxiety, which is too vague. A fear is something specific. I like claustrophobic spaces, because at least then you know your limits.
It is not so much where my motivation comes from but rather how it manages to survive.
It is not a torment to be an artist. It is a privilege.
Art is a guarantee of sanity. That is the most important thing I have_x000D_ said.
As a novelist, where do you go to tap into memories, and impressions, and sensations? It's usually, in my experience, your early life, before you started thinking of yourself as a writer, because somehow those experiences are unadulterated.
We don't really want to think that the artist is only very skilled, that he has merely devoted his life to perfecting a certain set of intelligible skills.
His friends said, "Why do you have that ugly thing hanging there?" and Bull said, "I like it because it's ugly." All his life was in that line.
β¦ lend your ears to music, open your eyes to painting, and β¦ stop thinking! Just ask yourself whether the work has enabled you to βwalk aboutβ into a hitherto unknown world. If the answer is yes, what more do you want?
But always and sometimes questioning the old modes_x000D_ _x000D_ And the new wondering, the poem, growing up through the floor,_x000D_ _x000D_ Standing tall in tubers, invading and smashing the ritual_x000D_ _x000D_ Parlor, demands to be met on its own terms now,_x000D_ _x000D_ Now that the preliminary negotiations are at last over.
There are no rules in filmmaking. Only sins. And the cardinal sin is dullness.
Subscribe for the occasional hand-picked quote. No noise.