One of the great things about books is you can afford to do anything.
George R. R. MartinRead
Always keep your foes confused. If they are never certain who you are or what you want, they cannot know what you are like to do next. Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you. Remember that, Sansa, when you come to play the game.” “What . . . what game?” “The only game. The game of thrones.” -(Littlefinger)
Interpretation
The quote advises strategic deception and unpredictability to gain an advantage over adversaries.
In this quote, Littlefinger imparts a lesson about tactics in conflict, suggesting that by keeping opponents uncertain and confused, one's own actions can create advantageous circumstances in competition. It highlights the value of unpredictability and cunning in navigating complex interpersonal dynamics, particularly in high-stakes situations, like the metaphorical 'game of thrones'.
In practice
This quote could be used in a discussion about competitive business strategies to emphasize the importance of unpredictability.
One of the great things about books is you can afford to do anything.
I hate outlines. I have a broad sense of where the story is going; I know the end, I know the end of the principal characters, and I know the major turning points and events from the books, the climaxes for each book, but I don't necessarily know each twist and turn along the way. That's something I discover in the course of writing and that's what makes writing enjoyable. I think if I outlined comprehensively and stuck to the outline the actual writing would be boring.
There is only one god and his name is Death. And there is only one thing we say to Death: “Not today.
I did not do it. Yet now I wish I had.’ He turned to face the hall, that sea of pale faces. ‘I wish I had enough poison for you all. You make me sorry that I am not the monster you would have me be, yet there it is. I am innocent, but I will get no justice here.
But a voice inside her whispered, There are no heroes, and she remembered what Lord Petyr had said to her, here in this very hall. 'Life is not a song, sweetling,' he'd told her, 'You may learn that one day to your sorrow.' In life, the monsters win, she told herself.
I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.
Lord, if I thought you were listening, I'd pray for this above all: that any church set up in your name should remain poor, and powerless, and modest. That it should wield no authority except that of love. That it should never cast anyone out. That it should own no property and make no laws. That it should not condemn, but only forgive.
I feel like I could be likened to an old hound circling on a rug for the last five years.
People talk vaguely about the innocence of a little child, but they take mighty good care not to let it out of their sight for twenty minutes.
I learned that realism can come in all shapes and sizes. The world is big enough for different values to coexist.
So long as all the increased wealth which modern progress brings goes but to build up great fortunes, to increase luxury and make sharper the contrast between the House of Have and the House of Want, progress is not real and cannot be permanent.
Society’s future will depend on a continuous improvement program for the human character. And what will that future bring? I do not know, but it will be exciting.
Subscribe for the occasional hand-picked quote. No noise.