Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Alfred HitchcockRead
[When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
Interpretation
This quote expresses gratitude towards key individuals who contributed significantly to Hitchcock's life and career.
In this heartfelt acknowledgment, Alfred Hitchcock highlights the importance of collaboration and personal relationships in his journey as a filmmaker. By recognizing four individuals—each offering unique support, encouragement, and contributions—he underscores the often overlooked roles that behind-the-scenes figures play in achieving success, as well as the emotional connections that fuel creativity and artistry.
In practice
This quote can be used in a speech about teamwork and the importance of supporting one another in creative projects.
Dialogue should simply be a sound among other sounds, just something that comes out of the mouths of people whose eyes tell the story in visual terms.
Luck is everything... My good luck in life was to be a really frightened person. I'm fortunate to be a coward, to have a low threshold of fear, because a hero couldn't make a good suspense film.
I can't read fiction without visualizing every scene. The result is it becomes a series of pictures rather than a book.
I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.
Seeing a murder on television can help work off one's antagonisms. And if you haven't any antagonisms, the commercials will give you some.
There is something more important than logic: imagination
I'm sad to see celluloid go, there's no doubt. But, you know, nitrate went, by the way, in 1971. If you ever saw a nitrate print of a silent film and then saw an acetate print, you'd see a big difference, but nobody remembers anymore. The acetate print is what we have. Maybe. Now it's digital.
I don't design clothes, I design dreams.
A violinist had a violin, a painter his palette. All I had was myself. I was the instrument that I must care for.
Your hands are like dogs, going to the same places they've been. You have to be careful when playing is no longer in the mind but in the fingers, going to happy places. You have to break them of their habits or you don't explore; you only play what is confident and pleasing. I'm learning to break those habits by playing instruments I know absolutely nothing about, like a bassoon or a waterphone.
Here let dead poetry rise once more to life.
The abstraction is often the most definite form for the intangible thing in myself that I can clarify in paint.
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