Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
Arthur MillerRead
Amos Oz is one of the finest novelists of this entire period. MY MICHAEL is a beautiful work of great depth and in some indescribable way lingers in the mind as a lyric song to his country's people as much as a moving love story.
Interpretation
Arthur Miller praises Amos Oz's novel 'MY MICHAEL' for its depth and emotional resonance.
In this quote, Arthur Miller highlights the exceptional quality of Amos Oz's novel 'MY MICHAEL', describing it as a profound literary work that resonates deeply with readers. He suggests that the novel not only serves as a compelling love story but also reflects the essence of the people of Oz's homeland, elevating it to the status of a beautiful song that lingers in one's thoughts.
In practice
In a literary discussion about the best novels of contemporary literature, one might quote Miller's praise of 'MY MICHAEL'.
Controlled hysteria is what's required. To exist constantly in a state of controlled hysteria. It's agony. But everyone has agony. The difference is that I try to take my agony home and teach it to sing.
The word "now" is like a bomb through the window, and it ticks.
Just remember, kid, you can quicker get back a million dollars that was stole than a word that you gave away.
Oh,Elizabeth, your justice would freeze beer.
The structure of a play is always the story of how the birds came home to roost.
Immortality is like trying to carve your initials in a block of ice in the middle of July.
There is something I keep wanting to say about reading short stories. I am doing it now, because I many never have another occasion. Stories are not chapters of novels. They should not be read one after another, as if they were meant to follow along. Read one. Shut the book. Read something else. Come back later. Stories can wait.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
I think the reason these readers come back to me is because I represent their points of view. It may not be my point of view, but that's OK. Everyone still deserves to have their say.
To say that such-and-such a circumstance is 'Kafkaesque' is to admit to the denigration of an imagination that has burned a hole in what we take to be modernism - even in what we take to be the ordinary fabric and intent of language. Nothing is like 'The Hunger Artist.' Nothing is like 'The Metamorphosis.'
Rueful, bittersweet, funny, written with tenderness and bite, Merrill Feitell's stories, like so many classic short stories, are made from the plain and painful stuff of this world, and haunted by the possibility, and the impossibility, of a better one.
You could compile the worst book in the world entirely out of selected passages from the best writers in the world.
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