You can't quantify human pain the way you can measure out sugar. Death comes one individual at a time.
Yann MartelRead
I like using animals because they help suspend my reader's disbelief. We have certain ideas about dentists. We don't have many ideas about rhinoceros dentists.
Interpretation
Using animals in storytelling can create a sense of wonder and challenge preconceived notions.
Yann Martel's quote reflects on the creative power of employing unconventional characters, such as animals, to engage readers' imaginations and encourage them to suspend their disbelief. By introducing unexpected elements, like a rhinoceros dentist, the author can provoke curiosity and invite readers to explore new perspectives that challenge their predefined ideas about reality.
In practice
In a children's book club, when discussing imaginative storytelling.
You can't quantify human pain the way you can measure out sugar. Death comes one individual at a time.
Come aboard if your destination is oblivion- it should be our next stop. We can sit together. You can have the window seat if you want. But it's a sad view.
Fiction and nonfiction are not so easily divided. Fiction may not be real, but it's true; it goes beyond the garland of facts to get to emotional and psychological truths.
The moon was a sharply defined crescent and the sky was perfectly clear. The stars shone with such fierce, contained brilliance that it seemed absurd to call the night dark.
I thought they were helping me. I was so full of trust in them that I felt grateful as they carried me in the air. Only when they threw me overboard did I begin to have doubts.
Art is a gift: you create and then you give away. How readers receive that gift is their business. If they hate it, thatβs their response to it. Others respond by liking it. Either way, that is their interaction with the book, which is no longer mine.
When the artist finds himself he is lost. The fact that he has succeeded in never finding himself is regarded by Max Ernst as his only lasting achievement.
Give me artificial flowers - porcelain and metal glories - neither fading nor decaying, forms unaging. Flowers of the splendid gardens of another place, where Forms and Styles and Knowledge dwell. I love flowers made of glass or gold, true Art's true gifts, their painted hues more beautiful than nature's, worked in nacre and enamel, with perfect leaves and branches.
I've read a lot of really great characters in some really crappy stories, where I said, like, 'Boy I could shine here, but the story sucks.' I don't want to be part of that.
Careers don't interest me. The only thing that interests me is continuing to be a poet on one level or another, whether acting or writing or directing.
I could imagine at a certain age, when I have no vocal cords left, that I would find a young man who could sing my parts for me. But I don't see why I would stop.
One of the obsessions that the Soviet Union and the Eastern European communist parties had was always controlling the message - all information that everybody gets has to be carefully controlled and monitored. Art was no exception.
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