When you're curious, you find lots of interesting things to do.
Walt DisneyRead
Animation offers a medium of story telling and visual entertainment which can bring pleasure and information to people of all ages everywhere in the world.
Interpretation
Animation is a universal form of storytelling that entertains and educates people of all ages.
Walt Disney emphasizes the unique ability of animation to convey stories that resonate with diverse audiences across the globe. It serves not only as a source of enjoyment but also as an educational tool, bridging cultural gaps and making complex ideas accessible to everyone, regardless of their age.
In practice
During a film festival to explain the power of animation in storytelling.
When you're curious, you find lots of interesting things to do.
Here is the world of imagination, hopes, and dreams. In this timeless land of enchantment, the age of chivalry, magic and make-believe are reborn - and fairy tales come true. Fantasyland is dedicated to the young-in-heart, to those who that when you wish upon a star, your dreams come true.
To all who come to this happy place: Welcome. Disneyland is your land. Here age relives fond memories of the past, and here youth may savor the challenge and promise of the future. Disneyland is dedicated to the ideals, the dreams, and the hard facts that have created America; with the hope that it will be a source of joy and inspiration to all the world.
It's kind of fun to do the impossible.
Disneyland is a work of love. We didn't go into Disneyland just with the idea of making money.
Happiness is a state of mind. It's just according to the way you look at things.
Color helps to express light, not the physical phenomenon, but the only light that really exists, that in the artist's brain.
Oprah Winfrey represents the most ingenious and creative expression of black spiritual genius in the public mainstream that we've had in quite a long time, if ever.
We're all born storytellers. It's part of the species. But, more specifically, I suppose a particular combination of sensitivity and trauma made me a writer: an essential disquiet with reality, which required exploration through portrayal.
Above all, it's hard learning to live with vivid mental images of scenes I cared for and failed to photograph. It is the edgy existence within me of these unmade images that is the only assurance that the best photographs are yet to be made.
I think I should have no other mortal wants, if I could always have plenty of music. It seems to infuse strength into my limbs and ideas into my brain. Life seems to go on without effort, when I am filled with music.
We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images.
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