I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
Doris LessingRead
Anna was saying to herself: why do I always have this awful need to make other people see things as I do? It's childish, why should they? What it amounts to is that I'm scared of being alone in what I feel.
Interpretation
The quote reflects the fear of loneliness that drives a desire for validation from others.
In this quote, Anna expresses a deep-seated need for others to share her perspective, which she recognizes as a childlike impulse. Her awareness of this need reveals a vulnerability and a fear of isolation, suggesting that we often seek affirmation of our feelings from those around us to alleviate our own insecurities and fears of solitude.
In practice
During a discussion about personal feelings, this quote can be used to highlight the common struggle of needing others' acceptance.
I am a person who continually destroys the possibilities of a future because of the numbers of alternative viewpoints I can focus on the present.
In the writing process, the more the story cooks, the better. The brain works for you even when you are at rest. I find dreams particularly useful. I myself think a great deal before I go to sleep and the details sometimes unfold in the dream.
Humanity's legacy of stories and storytelling is the most precious we have. All wisdom is in our stories and songs. A story is how we construct our experiences. At the very simplest, it can be: 'He/she was born, lived, died.' Probably that is the template of our stories - a beginning, middle, and end. This structure is in our minds.
There is a great line of women stretching out behind you into the past, and you have to seek them out and find them in yourself and be conscious of them.
The World War I, I'm a child of World War I. And I really know about the children of war. Because both my parents were both badly damaged by the war. My father, physically, and both mentally and emotionally. So, I know exactly what it's like to be brought up in an atmosphere of a continual harping on the war.
You should write, first of all, to please yourself. You shouldn't care a damn about anybody else at all. But writing can't be a way of life - the important part of writing is living. You have to live in such a way that your writing emerges from it.
Marriage has no guarantees. If that's what you're looking for, go live with a car battery.
You can't just make me different and then leave. You can't. You can't change me and make my whole life centered around you, then leave.
American high school culture was impenetrable to me, and very cliquey: you had the Hispanics, the African Americans, the surfer guys and the goths and the immigrants. The jocks and the surfers got the girls. By the time I'd got to grips with it, I'd graduated.
And it was just the three of us - three bodies and two people - the three who knew what had happened and too many layers between all of us too much keeping us from one another.
Neither can live while the other survives, and one of us is about to leave for good.
I just always knew that I lived in two worlds. There was the world of my house and community, but to make my way in that white world I had to modify the way I spoke and acted. I had to sometimes not make direct eye contact.
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