An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
I refused to accept anything, doubted everything. So, doubting everything, I had to find something that had not existed before, something I had not thought of before. Any idea that came to me, the thing would be to turn it around and try to see it with another set of senses.
Interpretation
The quote emphasizes the importance of skepticism and creative thinking in the artistic process.
Marcel Duchamp's quote reflects the notion that a true artist must challenge conventional beliefs and perceptions. By refusing to accept established norms and embracing doubt, the artist embarks on a journey of exploration, seeking innovative ideas and perspectives that have not previously been considered. This approach allows for the transformation of ideas through unconventional thinking, fostering creativity and originality in art.
In practice
This quote can be shared in an art class to inspire students to think creatively.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
Au revoir, jewelled alligators and white hotels, hallucinatory forests, farewell.
THEATRE HAS THE POWER TO MOVE, INSPIRE, TRANSFORM AND EDUCATE IN WAYS THAT NO OTHER ART FORM CAN. THEATRE REFLECTS BOTH THE EXTRAORDINARY DIVERSITY OF CULTURES AND OUR SHARED HUMAN CONDITION, IN ALL ITS VULNERABILITY AND STRENGTH.
If you don't live it, it won't come out your horn.
I have learned that there lies dormant in the souls of all men a penchant for some particular musical instrument an an unsuspected yearning to play on it, which are bound to wake up an demand attention someday. Therefore you who rail at such that disturb your slumbers with unsuccessful and demoralizing attempts to subjugate a guitar, beware! For sooner or later your own time will come.
Ideas alone can be works of art; they are in a chain of development that may eventually find some form. All ideas need not be made physical.
I don't really need to be remembered. I hope the music's remembered.
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