There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
H. P. LovecraftRead
The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from everyday life.
Interpretation
This quote suggests that horror and macabre themes appeal to a select audience who can detach from the ordinary and engage their imagination.
H. P. Lovecraft's quote reflects on the niche appreciation for the macabre and how it requires readers to stretch their imagination and step away from reality. It implies that not everyone possesses the ability or desire to engage with such themes, indicating that the allure of horror literature is limited to those who are willing to entertain darker, fantastical concepts.
In practice
In a discussion about the significance of surrealism in modern literature, this quote can emphasize the importance of imaginative engagement.
There are horrors beyond life's edge that we do not suspect, and once in a while man's evil prying calls them just within our range.
I know always that I am an outsider; a stranger in this century and among those who are still men.
Searchers after horror haunt strange, far places.
The process of delving into the black abyss is to me the keenest form of fascination.
No new horror can be more terrible than the daily torture of the commonplace.
I am, indeed, an absolute materialist so far as actual belief goes; with not a shred of credence in any form of supernaturalism—religion, spiritualism, transcendentalism, metempsychosis, or immortality.
Whatever precautions you take so the photograph will look like this or that, there comes a moment when the photograph surprises you. It is the other's gaze that wins out and decides.
I would like to be Maria, but there is La Callas who demands that I carry myself with her dignity.
Short fiction is the medium I love the most, because it requires that I bring everything I've learned about poetry - the concision, the ability to say something as vividly as possible - but also the ability to create a narrative that, though lacking a novel's length, satisfies the reader.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
It's simple: You get a part. You play a part. You play it well. You do your work and you go home. And what is wonderful about movies is that once they're done, they belong to the people. Once you make it, it's what they see. That's where my head is at.
The very paradigm of revolution, of right versus wrong, good versus bad, is a relic with no bearing on the present. Yet artists, exhibitions, and curators valorize the sixties. People who wrote about these artists 30 years ago still write about them in the same ways, often for the same magazines.
Subscribe for the occasional hand-picked quote. No noise.