Architecture begins to matter when it brings delight and sadness and perplexity and awe along with a roof over our heads.
Interpretation
Architecture transcends mere shelter when it evokes deep emotions and thoughts.
This quote by Paul Goldberger emphasizes that architecture is not just about providing a physical space for living; it is an art form that should connect with people on an emotional level. The true significance of architecture lies in its ability to inspire feelings of delight, sadness, confusion, or awe, making it an integral part of the human experience rather than just a functional necessity.
In practice
During a speech on the importance of urban design, one could reference this quote to highlight the emotional impact of architectural spaces.
New York remains what it has always been : a city of ebb and flow, a city of constant shifts of population and economics, a city of virtually no rest. It is harsh, dirty, and dangerous, it is whimsical and fanciful, it is beautiful and soaring - it is not one or another of these things but all of them, all at once, and to fail to accept this paradox is to deny the reality of city existence.
I can't think of anything more rewarding than being able to express yourself to others through painting. Exercising the imagination, experimenting with talents, being creative; these things, to me, are truly the windows to your soul.
History shows us that in times of people feeling like they are in need of some sort of rebellion or protests, the artists rise because the poetry we create about pain and its relationship to culture in the world begins to soothe and heal people who are feeling confused or afraid.
Hollywood is like being nowhere and talking to nobody about nothing.
As a man I am flawed, but my music is perfect.
What they don't teach you in art school is how your whole life is about discovering who you already were.
I always thought of photography as a naughty thing to do - that was one of my favorite things about it, and when I first did it, I felt very perverse.
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