Life is more important than architecture.
Oscar NiemeyerRead
In architecture it isn't enough to just have the right building that works well. It can also be beautiful. It can also be different. It can create surprise. And surprise is the main thing in a work of art. [] I like and respect Brasília very much. It is a simple city, a rational one. I always defend the urban design of Brasília
Interpretation
Architecture should balance functionality with beauty and innovation.
This quote emphasizes that architecture is not solely about the practical aspects of a building but also about its aesthetic appeal and uniqueness. Oscar Niemeyer highlights the importance of surprise as a key element in creating impactful art, suggesting that a well-designed building should evoke emotional responses and stand out in its environment.
In practice
In a presentation about urban planning, you might cite this quote to emphasize the importance of integrating beauty into functional designs.
Life is more important than architecture.
I deliberately disregarded the right angle and rationalist architecture designed with ruler and square to boldly enter the world of curves and straight lines offered by reinforced concrete... This deliberate protest arose from the environment in which I lived, with its white beaches, its huge mountains, its old baroque churches, and the beautiful suntanned women.
We need to feel that life is important; we need that fantasy so we can live a little better.
Here, then, is what I wanted to tell you of my architecture. I created it with courage and idealism, but also with an awareness of the fact that what is important is life, friends and attempting to make this unjust world a better place in which to live.
When you have a large space to conquer, the curve is the natural solution.
I was attracted by the curve — the liberated, sensual curve suggested by the possibilities of new technology yet so often recalled in venerable old baroque churches.
If there was some sort of mathematical equation for beauty, I don’t know if I would be the algorithm. I’m not a supermodel. That’s not what I do. What I do is music. I want my fans to feel the way I do, to know what they have to offer is just as important, more important, than what’s happening on the outside.
I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.
I demand that a film express either the joy of making cinema or the agony of making cinema. I am not at all interested in anything in between.
Life is an art we are required to practice without preparation, a score that we play at sight even before we have mastered our instruments.
I'm a failed poet. Reading poetry helps me to see the world differently, and I try to infuse my prose with figurative language, which goes against the trend in fiction.
Maybe directors who are more interested in realism and naturalism come from cities, where they see things on their doorstep every day. But growing up as a kid in a very pretty but ever-so-slightly boring town, where not a great deal happened, encouraged me to be more escapist, more imaginative, and more of a daydreamer.
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