My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Vladimir NabokovRead
And I want to rise up, throw my arms open for a vast embrace, address an ample, luminous discourse to the invisible crowds. I would start like this: "O rainbow-colored gods. . .
Interpretation
The quote expresses a desire for creative expression and connection with a larger audience.
In this quote, Vladimir Nabokov highlights a yearning for artistic freedom and the exhilaration of engaging with the world and its unseen joys. The imagery of embracing the 'invisible crowds' signifies a deep desire to connect with the essence of humanity through vibrant and profound discourse, showcasing the transformative power of art and language.
In practice
Using this quote in an art exhibition opening speech to emphasize the connection between the artist and the audience.
My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.
Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta.
A change of environment is the traditional fallacy upon which doomed loves, and lungs, rely.
But that mimosa grove-the haze of stars, the tingle, the flame, the honey-dew, and the ache remained with me, and that little girl with her seaside limbs and ardent tongue haunted me ever since-until at last, twenty-four years later, I broke her spell by incarnating her in another.
...in my dreams the world would come alive, becoming so captivatingly majestic, free and ethereal, that afterwards it would be oppressive to breathe the dust of this painted life.
I believe the poor fierce-eyed child had figured out that with a mere fifty dollars in her purse she might somehow reach Broadway or Hollywood - or the foul kitchen of a diner (Help Wanted) in a dismal ex-prairie state, with the wind blowing, and the stars blinking, and the cars, and the bars, and the barmen, and everything soiled, torn, dead.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.
I've spent so much of my life examining the smallest details. In some ways, it's where I feel most at home. For me, it's super-important to understand all of the different nuances of light and shade. But if you can't paint in primary colours, no one's going to listen to your songs, because they need to feel like something.
To work magic is to weave the unseen forces into form; to soar beyond sight; to explore the uncharted dream realm of the hidden reality; to infuse life with color, motion and strange scents that intoxicate; to leap beyond imagination into that space between the worlds where fantasy becomes real; to be at once animal and god. Magic is...the ultimate adventure.
This award is meaningful because it comes from my fellow dealers in celluloid.
As a musician I'm kind of nomadic, Waldo-like. I show up in different places, and I'm witness to unbelievable things.
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