An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.
Interpretation
Duchamp questioned the value of traditional art versus newer forms, suggesting that innovation was necessary to overcome creative stagnation.
In this quote, Marcel Duchamp reflects on his turning point in artistic direction during a time when he felt restricted by conventional painting. He proposed that introducing non-traditional elements into art could revitalize creativity and lead to new forms of expression, ultimately challenging the very definition of what art can be.
In practice
Discussing the evolution of modern art in a lecture.
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
I would be the unhappiest person imaginable, confronted daily with disastrous works crying out with errors, imprecision, carelessness, amateurishness. I avoided this punishment by destroying them, I thought, and suddenly I took great pleasure in the word destroying.
Is the 'black designer' label there to warn everyone not to have the same level of expectations for me, or is it some type of prize? I just want to work in an even playing field where I can get press for my work and not just my race and my personal views on it.
Somebody said they threw their copy of Dungeons and Dragons into the fire, and it screamed. It's a game! The magic spells in it are as real as the gold. Try retiring on that stuff.
I'm a storyteller - that's the chief function of a director. And they're moving pictures, let's make 'em move!
Life is a shitstorm, in which art is our only umbrella." (spoken by character in a novel by Mario Vargas Llosa)
It is not my job to compare my movies. I don't like to compare my films with other movies because I don't really have that perspective. It is an intellectual exercise, but it doesn't intuitively come to me.
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