I'm always oscillating between if I should sprinkle more gunpowder or less. But if I put too much gunpowder, there may be holes throughout the silk. If not enough, the power and energy would not be shown.
Cai Guo-QiangRead
For my art, there is a common theme most of the time: it is using the things we can see to search for the world we cannot see.
Interpretation
This quote emphasizes the idea of using visible subjects in art to explore deeper, unseen concepts and emotions.
Cai Guo-Qiang suggests that his artistic expression revolves around a fundamental theme: employing what is tangible and observable to unveil or probe into the mysteries, emotions, and perspectives that lie beyond our immediate perception. This approach implies a deep connection between the visible and the invisible, where the outward representation serves as a gateway to a more profound understanding of the world and the human experience.
In practice
In an art exhibition, the curator opens with this quote to frame the artworks displayed.
I'm always oscillating between if I should sprinkle more gunpowder or less. But if I put too much gunpowder, there may be holes throughout the silk. If not enough, the power and energy would not be shown.
You should play with real musicians; the best music comes from real people interacting with each other.
An image is not simply a trademark, a design, a slogan or an easily remembered picture. It is a studiously crafted personality profile of an individual, institution, corporation, product or service.
[May 1958, on playing Macbeth at age 30 and age 48] When you're a young man, Macbeth is a character part. When you're older, it's a straight part.
I think it's our responsibility as artists to not only fight for our art but fight for the communities that are the reason we're able to continue making art, especially since, in Brooklyn's case, we as artists somehow made it 'cool' enough for the bigger money-making industries to start taking over.
The song is ended, but the melody lingers on.
A strong experience in the present awakens in the creative writer a memory of an earlier experience (usually belonging to his childhood) from which there now proceeds a wish which finds its fulfilment in the creative work.
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