The process of translating comprises in its essence the whole secret of human understanding of the world and of social communication.
Hans-Georg GadamerRead
For both art and the historical sciences are ways of experiencing in which our own understanding of existence is immediately brought into play.
Interpretation
Art and historical sciences engage us personally, enhancing our understanding of existence.
This quote by Hans-Georg Gadamer suggests that both art and the historical sciences are not just passive mediums; they actively involve our personal experiences and interpretations. When we engage with these fields, our individual understanding and perception of existence come to the forefront, making the experience deeply personal and interactive.
In practice
In a lecture about the impact of art on society, one might quote Gadamer to illustrate how art shapes our understanding of existence.
The process of translating comprises in its essence the whole secret of human understanding of the world and of social communication.
The essence of the question is the opening up, and keeping open, of possibilities.
It is one of the primary motives of modern art that it wants to abolish the distance which the viewer, the consumer, the audience maintain vis-a-vis a work of art. There is no doubt that the leaders of the creative artists of the last 50 years concentrated their efforts mainly on eliminating that distance.
We cannot understand without wanting to understand, that is, without wanting to let something be said...Understanding does not occur when we try to intercept what someone wants to say to us by claiming we already know it.
It is the tyranny of hidden prejudices that makes us deaf to what speaks to us in tradition.
A cultured society that has fallen away from its religious traditions expects more from art than the aesthetic consciousness and the 'standpoint of art' can deliver. The Romantic desire for a new mythology... gives the artist and his task in the world the consciousness of a new consecration. He is something like a 'secular saviour' for his creations are expected to achieve on a small scale the propitiation of disaster for which an unsaved world hopes.
Everything is a subject. Every subject has a rhythm. To feel it is the raison detre. The photograph is a fixed moment of such a raison detre, which lives on in itself.
When the audience comes in, it changes the temperature of what you've written.
Unless artists can remember what it was to be a little boy, they are only half complete as artist and as man.
So to the wretched writer I should like to say that thereβs one body only whose request for your caresses is not vulgar, is not unchaste, untoward, or impolite: the body of your work itself; for you must remember that your attentions will not merely celebrate a beauty but create one; that yours is love that brings it own birth with it, just as Plato has declared, and that you should therefore give up the blue things of this world in favor of the words which say them
When I design and wonder what the point is, I think of someone having a bad time in their life. Maybe they are sad and they wake up and put on something I have made and it makes them feel just a bit better. So, in that sense, fashion is a little help in the life of a person. But only a little.
Great things do not just happen by impulse, _x000D_ but as a succession of small things linked together.
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