All resistance is a rupture with what is. And every rupture begins, for those engaged in it, through a rupture with oneself.
Art is not ideology. It is completely impossible to explain art on the basis of the homological relation that it is supposed to maintain with the real of history. The aesthetic process decentres the specular relation with which ideology perpetuates its closed infinity. The aesthetic effect is certainly imaginary; but this imaginary is not the reflection of the real, since it is the real of this reflection.
Interpretation
What this quote means
Art transcends ideology and cannot be fully explained through historical relationships, as it creates its own reality that reflects deeper truths.
Alain Badiou’s quote explores the complex relationship between art and ideology, suggesting that art cannot simply be understood as a reflection of historical events or ideologies. Rather, he argues that art creates a unique aesthetic experience that goes beyond conventional interpretations, allowing it to exist in a space of its own that reflects profound truths rather than merely duplicating reality.
Themes
In practice
Example use cases
In a discussion about the role of art in society, you might say, 'As Alain Badiou points out, art transcends ideology and invites us to perceive deeper truths.'
More from Alain Badiou
All quotes →If you limit yourself to sexual pleasure it's narcissistic. You don't connect with the other, you take what pleasure you want from them.
The ethic of truth is the complete opposite of an 'ethics of communication'. It is an ethic of the Real The ethic of truth is absolutely opposed to opinion, and to ethics in general.
What kind of world does one see when one experiences it from the point of view of two and not one? What is the world like when it is experienced, developed and lived from the point of view of difference and not identity? That is what I believe love to be.
Love is not a contract between two narcissists.
We could say that love is a tenacious adventure. The adventurous side is necessary, but equally so is the need for tenacity. To give up at the first hurdle, the first quarrel, is only to distort love. Real love is one that triumphs lastingly, sometimes painfully, over the hurdles erected by time, space and the world.
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I've learned that the movies [Star Wars] will never finally end. It just goes on and on and on and on. I mean, it's going to be in 3D, then it's going to be smellivision, then it's going to be a ride in an amusement park, then they'll come to your house and perform it with puppets on your lawn ... it'll never end! I accepted that a long time ago.
A stage play is basically a form of uber-schizophrenia. You split yourself into two minds - one being the protagonist and the other being the antagonist. The playwright also splits himself into two other minds: the mind of the writer and the mind of the audience.
I started under my master, Etienne Decroux, who taught me a new grammar for mime he called statuary mime. This grammar brings style creations. Without it, no art survives.
The vast majority of writers out there, they finish their books and no one cares whether their book is late or ever comes out at all. And then it comes out and two reviews are published and it sells 12 copies.
Journalism is concerned with events, poetry with feelings. Journalism is concerned with the look of the world, poetry with the feel of the world.
Writing historical novels can be dangerous. We need to be as accurate and as fair about the historical record as we can be, at the same time as creating our fictional characters and, hopefully, telling a good story. The challenge is weaving the fiction into the history.