O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
Henry Wadsworth LongfellowRead
Art is long, and time is fleeting, And our hearts, though stout and brave, Still, like muffled drums, are beating Funeral marches to the grave.
Interpretation
Art endures despite the brevity of life and the inevitability of death.
In this quote, Longfellow reflects on the enduring nature of art in contrast to the fleeting moments of human life. He acknowledges that while time passes quickly and life is ultimately transient, the impact of art continues to resonate beyond our mortal existence, encapsulating our deepest emotions and experiences even as we confront the reality of death.
In practice
This quote can be used in a speech about the importance of preserving cultural heritage and art.
O suffering, sad humanity! O ye afflicted ones, who lie Steeped to the lips in misery, Longing, yet afraid to die, Patient, though sorely tried!
There are moments in life, when the heart is so full of emotion That if by chance it be shaken, or into its depths like a pebble Drops some careless word, it overflows, and its secret, Spilt on the ground like water, can never be gathered together.
Perseverance is a great element of success. If you only knock long enough and loud enough at the gate, you are sure to wake up somebody.
To be seventy years old is like climbing the Alps. You reach a snow-crowned summit, and see behind you the deep valley stretching miles and miles away, and before you other summits higher and whiter, which you may have strength to climb, or may not. Then you sit down and meditate and wonder which it will be.
God is not dead; nor doth He sleep; ... _x000D_ The wrong shall fail,_x000D_ The right prevail,_x000D_ With peace on earth, good will to men.
In the long run men hit only what they aim at.
The upshot was, my paintings must burn that English artists might finally learn.
Don't use your brain to play it, let your feelings guide your fingers.
The thing I love about making movies is the peace of mind that I know I don't have to be perfect the first time. I can be perfect the second time or the third time.
I paint and sculpt to get a grip on reality... to protect myself.
The important thing in writing is the capacity to astonish. Not shock - shock is a worn-out word - but astonish.
Maybe the theatre isn't any place for a reasonable human being after all. It keeps your emotions in such a constant state of upheaval. It's really terribly wearing. I wonder if I could stand it, one emotional upset after the other just going on and on for the rest of my life.
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