An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
What art is, in reality, is this missing link, not the links which exist. It's not what you see that is art; art is the gap.
Interpretation
Art is not just what is visible; it represents the unseen connections and meanings.
Marcel Duchampβs quote suggests that the essence of art lies not in superficial appearances but in the deeper meanings and emotions that art can evoke. It emphasizes the idea that art fills a void, offering insights and connections that are not immediately apparent to the observer. Rather than just presenting what is visible, art invites us to explore the intangible and the unexpressed.
In practice
In a gallery discussion, one might say, 'As Duchamp suggested, the beauty of this painting lies in what it doesnβt show, inviting viewers to engage with their own imagination.'
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
I am trying to counter the fixity of architectures, their stolidity, with elements that give an ineffable immaterial quality.
The function of a book or a poem or a story is to delight, to enchant, to beguile.
Constant work, constant writing and constant revision. The real writer learns nothing from life. He is more like an oyster or a sponge. What he takes in he takes in normally the way any person takes in experience. But it is what is done with it in his mind, if he is a real writer, that makes his art.
Music is for people. The word 'pop' is simply short for popular. It means that people like it. I'm just a normal jerk who happens to make music. As long as my brain and fingers work, I'm cool.
I had seen the damp lying on the outside of my little window, as if some goblin had been crying there all night, and using the window for a pocket-handkerchief.
Experience was my only teacher; I knew little of the modern art movement. When I first saw the works of the Impressionists, van Gogh, van Dongen, and Fauves, I admired it. But I had to seek the true way alone.
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