An abstract painting need in 50 years by no means look "abstract" any longer.
Marcel DuchampRead
What art is, in reality, is this missing link, not the links which exist. It's not what you see that is art; art is the gap.
Interpretation
Art is not just what is visible; it represents the unseen connections and meanings.
Marcel Duchampβs quote suggests that the essence of art lies not in superficial appearances but in the deeper meanings and emotions that art can evoke. It emphasizes the idea that art fills a void, offering insights and connections that are not immediately apparent to the observer. Rather than just presenting what is visible, art invites us to explore the intangible and the unexpressed.
In practice
In a gallery discussion, one might say, 'As Duchamp suggested, the beauty of this painting lies in what it doesnβt show, inviting viewers to engage with their own imagination.'
An abstract painting need in 50 years by no means look "abstract" any longer.
All this twaddle, the existence of God, atheism, determinism, liberation, societies, death, etc., are pieces of a chess game called language, and they are amusing only if one does not preoccupy oneself with 'winning or losing this game of chess.
I am still a victim of chess. It has all the beauty of art - and much more. It cannot be commercialized. Chess is much purer than art in its social position.
I never finished the 'Large Glass' because, after working on it for eight years, I probably got interested in something else; also, I was tired. It may be that, subconsciously, I never intended to finish it because the word 'finish' implies an acceptance of traditional methods and all the paraphernalia that accompany them.
It's a product of two poles - there's the pole of the one who makes the work, and the pole of the one who looks at it. I give the latter as much importance as the one who makes it.
I became a librarian at the Sainte-Genevieve Library in Paris. I made this gesture to rid myself of a certain milieu, a certain attitude, to have a clean conscience, but also to make a living. I was twenty-five. I had been told that one must make a living, and I believed it.
The secret is not to write about what you love best, but about what you, alone, love at all.
To disappear your complete self into a character is quite difficult. I've tried it 85 times, and I've succeeded two or three times.
Guess what, I might be the first hippie pinup girl.
ALL ART, OF COURSE, IS INTELLECTUAL, BUT FOR ME, ALL THE ARTS, AND CINEMA EVEN MORE SO, MUST ABOVE ALL BE EMOTIONAL AND ACT UPON THE HEART.
The dominant invades the entire picture, as it were. In this way I seek to individualize the color, because I have come to believe that there is a living world of each color and I express these worlds.
My heart beats more for a raw, average vulgar art, which doesn't live between sleepy fairy-tale moods and poetry but rather concedes a direct entrance to the fearful, commonplace, splendid and the average grotesque banality in life.
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