Blow the candle out, I don't need to see what my thoughts look like.
Emile ZolaRead
The artist is nothing without the gift, but the gift is nothing without work.
Interpretation
Talent alone is not enough; effort is essential to create meaningful art.
This quote by Emile Zola emphasizes the interplay between inherent talent and the dedication to work. While an artist may possess a unique gift or talent, it is the hard work, practice, and commitment that transform this gift into tangible art. Therefore, both elements are crucial; without talent, there can be no art, but without the labor to hone and express that talent, the gift remains unfulfilled.
In practice
In an art class to inspire students to put in effort in their work.
Blow the candle out, I don't need to see what my thoughts look like.
I believe that all is illusion and vanity outside the treasure of truths slowly accumulated, and which will never again be lost. I believe that the sum of these truths, always increasing, will at last confer on man incalculable power and peace, if not happiness. Yes, I believe in the final triumph of life.
A ruined man fell from her hands like a ripe fruit, to lie rotting on the ground.
Oh, the fools, like a lot of good little schoolboys, scared to death of anything they've been taught is wrong!
Did not one spend the first half of one's days in dreams of happiness and the second half in regrets and terrors?
They dared not peer down into their own natures, down into the feverish confusion that filled their minds with a kind of dense, acrid mist.
One of my big fears is people saying my songs are all starting to sound the same.
One word is worth a thousand pictures. If it's the right word.
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
I don't ... like rhythm, assonance, all that stuff. You just go on your nerve. If someone's chasing you down the street with a knife you just run, you don't turn around and shout, 'Give it up! I was a track star for Mineola Prep.'
Of all the artists who emerged in the '80s, I think perhaps Cindy Sherman is the most important.
I really subscribe to that old adage that you should never let the audience get ahead of you for a second. So if the film's abrasive and wrongfoots people then, y'know, that's great. But I hope it involves an audience.
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