To have the ability to withdraw into oneself and forget everything around one when one is creating - What, I think is the only requirement for being able to bring forth something beautiful. The whole thing is - a mystery.
Artists like Bach and Beethoven erected churches and temples on the heights. I only wantedto build dwellings for men in which they might feel happy and at home
Interpretation
What this quote means
Grieg emphasizes the role of artists in creating spaces that foster human comfort and happiness, rather than elevating their work to the status of grand monuments.
In this quote, Edvard Grieg expresses his belief that art should serve the needs of everyday people by creating environments where they can feel comfortable and joyful. Unlike the monumental works of composers like Bach and Beethoven, which are often seen as lofty and spiritual, Grieg's aspiration is to provide a sense of belonging and warmth through his music, emphasizing the importance of accessibility in art and its ability to enrich the lives of ordinary individuals.
Themes
In practice
Example use cases
This quote can be used in a speech at an art exhibition to highlight the purpose of art.
More from Edvard Grieg
All quotes βSimilar quotes
I knew I could only play Cyrano if he were Americanized. I had no intention of writing the script myself. I was afraid of it. You're playing with fire when you tamper with a classic. So I went looking for a writer. But it was such a personal idea, and anyone I would give it to would make it his own. It's hard to ask Neil Simon to write your idea.
Everything that I had done creatively related to two or three incidents that happened to me when I was a child that I'd forgotten. Everything, absolutely everything.
My greatest debt will always be to the movie-going public of yesterday and today, without whose love and devotion I would have had no story to tell.
Nothing in the world can be compared to the human face. It is a land one can never tire of exploring. There is no greater experience in a studio than to witness the expression of a sensitive face under the mysterious power of inspiration. To see it animated from inside, and turning into poetry.
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
I've taken clowns into the war in Bosnia, the refugee camps of Kosovo, and none of those are any more important than clowning in a subway or an elevator or just walking down the street.