Nothing that comes and goes is you. _x000D_ _x000D_ 'I am bored.' Who knows this? _x000D_ _x000D_ 'I am angry, sad, afraid.' Who knows this? _x000D_ _x000D_ You are the knowing, not the condition that is known.
Eckhart TolleRead
The assault on our body image, the hypersexualization of girls and women and subsequent degradation of our sexuality as we walk through the decades, and the general incessant objectification is what this conversation allegedly about my face is really about.
Interpretation
This quote criticizes societal pressures regarding body image and the objectification of women.
Ashley Judd's quote highlights the pervasive culture that hypersexualizes women and girls, suggesting that conversations about appearance are often rooted in deeper, systemic issues of objectification and degradation. It calls attention to how these societal norms affect the perception of women's sexuality and body image over time, emphasizing the need for a critical examination of how women are viewed and discussed in society.
In practice
In a discussion about media representation of women in the film industry.
Nothing that comes and goes is you. _x000D_ _x000D_ 'I am bored.' Who knows this? _x000D_ _x000D_ 'I am angry, sad, afraid.' Who knows this? _x000D_ _x000D_ You are the knowing, not the condition that is known.
No one ceases to be a man, no one forfeits his rights to civilization merely by being more or less uncultured, and since the Filipino is regarded as a fit citizen when he is asked to pay taxes or shed his blood to defend the fatherland, why must this fitness be denied him when the question arises of granting him some right?
Today [the voice of women] is being heard loud and clear. But I do not read the welcome triumph of feminism, social, economic, and creative, as a brief for postmodernism. The advance, while opening new avenues of expression and liberating deep pools of talent, has not exploded human nature into little pieces. Instead, it has set the stage for a fuller exploration of the universal traits that unite humanity.
Religious life is an encounter with the living God. Sometimes that encounter is preceded by a kind of soul-searching agony that tries desperately not to hear, runs in the opposite direction, and frantically tries to reason itself out of answering the invitation.
Looking from the window at the fantastic light and colour of my glittering fairy-world of fact that holds no tenderness, no quietude, I long suddenly for peace, for understanding.
He wishes he had never entered the funhouse. But he has. Then he wishes he were dead. But he's not. Therefore he will construct funhouses for others and be their secret operator -- though he would rather be among the lovers for whom funhouses are designed.
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