All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
David BowieRead
I guess, taking away all the theatrics or the costuming and the outer layers of what I do, I'm a writer... I write.
Interpretation
David Bowie emphasizes the essence of his identity as a writer beyond any external embellishments.
In this quote, David Bowie expresses that at the core of his being, he identifies as a writer, stripping away any superficial elements such as theatrics or appearances. This statement reflects the idea that true artistic identity is rooted in authenticity and the fundamental act of creation rather than in the performance or perception of that identity.
In practice
A speaker at a writing workshop might use this quote to inspire aspiring authors to focus on their true voice.
All art really does is keep you focused on questions of humanity, and it really is about how do we get on with our maker.
I always had a repulsive need to be something more than human.
Nothing prepared me for your smile
But I've got to think of myself as the luckiest guy. Robert Johnson only had one album's worth of work as his legacy. That's all that life allowed him.
I'm an early riser. I get up between five and six, have coffee, and read for a couple of hours before everyone else gets up.
I'm not actually a very keen performer. I like putting shows together. I like putting events together. In fact, everything I do is about the conceptualizing and realization of a piece of work, whether it's the recording or the performance side.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
No one can write like Vallejo and not sound like a fraud. He's just too much himself and not you.
MORE CONSISTENTLY THAN EVER I WAS TRYING TO MAKE PEOPLE BELIEVE THAT CINEMA AS AN INSTRUMENT OF ART HAS ITS OWN POSSIBILITIES WHICH ARE EQUAL TO THOSE OF PROSE. I WANTED TO DEMONSTRATE HOW CINEMA IS ABLE TO OBSERVE LIFE, WITHOUT INTERFERING, CRUDELY OR OBVIOUSLY, WITH ITS CONTINUITY. FOR THAT IS WHERE I SEE THE POETIC ESSENCE OF CINEMA.
Know what your characters want, know what they need most, know what they fear most, and don't be fearful of facing it, no matter how unpleasant it may be.
If you're going to perform inception, you need imagination. You need the simplest version of the idea-the one that will grow naturally in the subject's mind. Subtle art.
I always write a draft version of the novel in which I try to develop, not the story, not the plot, but the possibilities of the plot. I write without thinking much, trying to overcome all kinds of self-criticism, without stopping, without giving any consideration to the style or structure of the novel, only putting down on paper everything that can be used as raw material, very crude material for later development in the story.
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