I want to photograph the considerable ceremonies of our present. I want to gather them, like somebody's grandmother putting up preserves, because they will have been so beautiful.
Diane ArbusRead
I work from awkwardness. By that I mean I don't like to arrange things. If I stand in front of something, instead of arranging it, I arrange myself.
Interpretation
The quote reflects the idea of authenticity and self-acceptance in the creative process.
Diane Arbus emphasizes the importance of embracing one's own feelings of awkwardness rather than trying to impose order or arrangement on the external world. This suggests that true creativity comes from a place of self-awareness and the acceptance of our uncomfortable truths, allowing the artist to reflect their genuine perspective in their work.
In practice
During a public lecture on creative processes, one could quote this to illustrate the importance of authenticity in art.
I want to photograph the considerable ceremonies of our present. I want to gather them, like somebody's grandmother putting up preserves, because they will have been so beautiful.
I tend to think of the act of photographing, generally speaking, as an adventure. My favorite thing is to go where Iβve never been.
... I must begin at whatever pace is possible, to work on the book of my own that i vaguely keep assuming lies at the end of the rainbow. It is after all my rainbow and if I don't do it no one else will...Survival is the secret so you really can't afford to doubt yourself for long because you are all you've got. The only thing to do is to go the limit with it. Exceed.
Freaks was a thing I photographed a lot. It was one of the first things I photographed, and it had a terrific kind of excitement for me. I just used to adore them. I still do adore some of them.
If I were just curious, it would be very hard to say to someone, I want to come to your house and have you talk to me and tell me the story of your life. I mean people are going to say, You're crazy. Plus they're going to keep mighty guarded. But the camera is a kind of license. A lot of people, they want to be paid that much attention and that's a reasonable kind of attention to be paid.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
I can't understand these chaps who go round American universities explaining how they write poems: It's like going round explaining how you sleep with your wife.
Adornment, what a science! Beauty, what a weapon! Modesty, what elegance!
I don't mind being classified as a jazz artist, but I do mind being restricted to being a jazz artist. My foundation has been in jazz, though I didn't really start out that way. I started in classical music, but my formative years were in jazz, and it makes a great foundation.
Middle-earth is our world. I have (of course) placed the action in a purely imaginary (though not wholly impossible) period of antiquity, in which the shape of the continental masses was different.
Mere humans who root through their refrigerators at three o'clock in the morning can only produce writing that matches what they do. And that includes me.
Perhaps things are most beautiful when they are not quite real; when you look upon a scene as an outsider, and come to possess it in its entirety and forever; when you live in the present with the lucidity and feeling of memory; when, for want of connection, the world deepens and becomes art.
Subscribe for the occasional hand-picked quote. No noise.