Looking back now, if I went to film school, it probably would have helped knowing what the best of the best of foreign films were, but that wasn't the case. In some ways, I think that led to my originality, because I hadn't seen anybody else.
Interpretation
The quote expresses that a lack of formal education in film allowed for greater originality in creativity.
Wes Craven reflects on his journey as a filmmaker and suggests that not attending film school and having limited exposure to foreign films might have actually contributed to his unique perspective and originality in his work. He believes that not being influenced by established norms allowed him to carve out his own creative path.
In practice
This quote can inspire young filmmakers at a film festival.
That's what's great about the horror genre is that you're getting a load of people together in the cinema at the same place and the same time, having them all experience extreme fear and come out alive at the end. It's an uplifting experience, and there's a sense of elation.
You don't enter the theater and pay your money to be afraid. You enter the theater and pay your money to have the fears that are already in you when you go into a theater dealt with and put into a narrative.
If something comes along that is totally outside of horror, fine, but I find there's an immense amount of freedom within the genre.
You have to be aware of what the audience's expectations are, and then you have to pervert them, basically, and hit them upside the head from a direction they weren't looking.
I couldn't find an actor to play Freddy Krueger with the sense of ferocity I was seeking. Everyone was too quiet, too compassionate towards children. Then Robert Englund auditioned.
I was paralyzed from the chest down when I was 19, so I kind of put my head together about dying, and I think I've come to terms with it.
There must be a story within him/her that wants to come out. That's the reason why 'Dil Chahta Hai,' 'Lagaan,' and 'Rang De Basanti' worked so well: Ashutosh, Farhan, and Rakesh had a story inside them. It's very important that the director should have the fire in the belly to tell the story.
There's so many films from around the world, I emphasize, that are so beautifully photographed, but they don't get the recognition.
As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
All poets write bad poetry. Bad poets publish them, good poets burn them.
Many of our greatest musicians abandoned all of their aesthetic objectives to try to become pertinent. And, at the end of the day, they never became pop stars. I counter stated that very strongly, and I continue to do that.
The characters have their own lives and their own logic, and you have to act accordingly.
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