As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
Jim HensonRead
It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself.
Interpretation
This quote emphasizes the importance of creating authentic and believable characters in storytelling, rather than just using them as symbols.
Jim Henson reflects on the challenge of crafting compelling and believable characters in creative work, specifically in the realm of fantasy. He suggests that the essence of creation lies not in mere symbolism but in the genuine experience of bringing characters like E.T. and Yoda to life in a way that resonates with audiences, allowing them to truly engage with the story being told.
In practice
This quote could be used in a workshop on storytelling.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
No, there's not much competition between puppeteers in general because everybody's working their own style.
I think if you study--if you learn too much of what others have done, you may tend to take the same direction as everybody else.
The most sophisticated people I know - inside they are all children.
If our 'message' is anything, it's a positive approach to life. That life is basically good. People are basically good.
The only way the magic works is by hard work. But hard work can be fun.
A musician is a professional, whether he or she is successful or not. The profession itself must be regarded as a stable job.
Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live.
Without foundations, there can be no fashion.
I like touring extensively because I think the more hours you spend onstage, the more you know who you are onstage.
A song has a few rights the same as ordinary citizens... if it happens to feel like flying where humans cannot fly... to scale mountains that are not there, who shall stop it?
So here I stand before you preaching organic architecture: declaring organic architecture to be the modern ideal and the teaching so much needed if we are to see the whole of life, and to now serve the whole of life, holding no traditions essential to the great TRADITION. Nor cherishing any preconceived form fixing upon us either past, present or future, but-instead-exalting the simple laws of common sense-or of super-sense if you prefer-determining form by way of the nature of materials.
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