As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
Jim HensonRead
It's into the same bag as E.T. and Yoda, wherein you're trying to create something that people will actually believe, but it's not so much a symbol of the thing, but you're trying to do the thing itself.
Interpretation
This quote emphasizes the importance of creating authentic and believable characters in storytelling, rather than just using them as symbols.
Jim Henson reflects on the challenge of crafting compelling and believable characters in creative work, specifically in the realm of fantasy. He suggests that the essence of creation lies not in mere symbolism but in the genuine experience of bringing characters like E.T. and Yoda to life in a way that resonates with audiences, allowing them to truly engage with the story being told.
In practice
This quote could be used in a workshop on storytelling.
As children, we all live in a world of imagination, of fantasy, and for some of us that world of make-believe continues into adulthood.
No, there's not much competition between puppeteers in general because everybody's working their own style.
I think if you study--if you learn too much of what others have done, you may tend to take the same direction as everybody else.
The most sophisticated people I know - inside they are all children.
If our 'message' is anything, it's a positive approach to life. That life is basically good. People are basically good.
The only way the magic works is by hard work. But hard work can be fun.
The average Hollywood film star's ambition is to be admired by an American, courted by an Italian, married to an Englishman and have a French boyfriend.
Actors are agents of change. A film, a piece of theater, a piece of music, or a book can make a difference. It can change the world.
I wanted my dad to be proud of me, and I fell into acting because there wasn't anything else I could do, and in it I found a discipline that I wanted to keep coming back to, that I love and I learn about every day.
Every good composition is above all a work of abstraction. All good painters know this. But the painter cannot dispense with subjects altogether without his work suffering impoverishment.
What's lucky about my career in general is that I stumbled into what every writer most wants. Not repeating myself and doing strange things has become my trademark.
I detest my past, and anyone else's. I detest resignation, patience, professional heroism and obligatory beautiful feelings. I also detest the decorative arts, folklore, advertising, voices making announcements, aerodynamism, boy scouts, the smell of moth balls, events of the moment, and drunken people.
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