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Beauty in music is too often confused with something that lets the ears lie back in an easy chair. Many sounds that we are used to do not bother us, and for that reason we are inclined to call them beautiful. Frequently, when a new or unfamiliar work is accepted as beautiful on its first hearing, its fundamental quality is one that tends to put the mind to sleep.
Charles Ives
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Interpretation

What this quote means

Beauty in music is often misunderstood as mere comfort, while true beauty can challenge the mind.

In this quote, Charles Ives emphasizes the difference between superficial beauty in music and a deeper, more thought-provoking experience. He suggests that many familiar sounds are considered beautiful simply because they are comfortable and easy to listen to, while true musical beauty may provoke thought and engagement, even if it initially seems challenging or unfamiliar to the listener.

Themes

MusicBeautyArtPerceptionChallenge

In practice

Example use cases

A music teacher might use this quote to encourage students to explore diverse musical styles.

More from Charles Ives

All melodious poets shall be hoarse as street ballads, when once the penetrating keynote of nature and spirit is sounded-the earth-beat, sea-beat, heart-beat, which make the tune to which the sun rolls, and the globule of blood and the sap of the trees.
Charles IvesRead
But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense.
Charles IvesRead
One thing I am certain of is that, if I have done anything good in music, it was, first, because of my father, and second, because of my wife
Charles IvesRead
A song has a few rights the same as ordinary citizens... if it happens to feel like flying where humans cannot fly... to scale mountains that are not there, who shall stop it?
Charles IvesRead
In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense
Charles IvesRead
Expression, to a great extent, is a matter of terms, and terms are anyone's. The meaning of 'God' may have a billion interpretations if there be that many souls in the world
Charles IvesRead

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