I've been forty years discovering that the queen of all colors is black.
Henri MatisseRead
In the beginning you must subject yourself to the influence of nature. You must be able to walk firmly on the ground before you start walking on a tightrope.
Interpretation
Embrace the foundational elements of your craft before attempting complex creations.
This quote by Henri Matisse emphasizes the importance of grounding oneself in the basics of art and nature before venturing into more intricate and challenging forms of expression. It suggests that a strong foundational experience is crucial for achieving mastery in any artistic endeavor, akin to learning to balance on solid ground before attempting to navigate a tightrope.
In practice
In a speech at an art school about the importance of mastering techniques first.
I've been forty years discovering that the queen of all colors is black.
Whoever wishes to devote himself to painting should begin by cutting out his own tongue
Purer colors... have in themselves, independently of the objects they serve to express, a significant action on the feelings of those who look at them.
It is not enough to place colors, however beautiful, one beside the other; colors must also react on one another. Otherwise, you have cacophony.
Color, even more than drawing, is a means of liberation.
Don't try to be original. Be simple. Be good technically, and if there is something in you, it will come out.
I am not of the vein of actors - and I will not pretend to be one - that takes my character home with me. I don't.
Being good in business is the most fascinating kind of art
Once a song and dance man, always a song and dance man. Those few words tell as much about me professionally as there is to tell.
The rustling of the silk is discontinued, Dust drifts over the courtyard, There is not sound of footfall, and the leaves Scurry into heaps and lie still, And she the rejoicer of the heart is beneath them: A wet leaf that clings to the threshold.
A work of art when placed in a gallery loses its charge, and becomes a portable object or surface disengaged from the outside world.
I thought I could capture the stories of the city on paper. I thought I could write about the horrors of the city. Horror stories you see. I tell you I didn't have to look far for material. Everywhere I looked, there were stories hidden there in the dark corners. . . . I wrote and still there were more. . . . No one would publish them. 'Too horrible,' they said. 'Sick mind,' they said. I thought I could write about the horrors of the city but the horror is too big and it goes on forever.
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