Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
Jordan PeeleRead
The best comedy and horror feel like they take place in reality. You have a rule or two you are bending or heightening, but the world around it is real.
Interpretation
Comedy and horror thrive on a believable foundation of reality, highlighting the extraordinary within the ordinary.
In this quote, Jordan Peele emphasizes the importance of setting a realistic backdrop for comedy and horror. By grounding these genres in familiar scenarios, audiences are more engaged, allowing for the surreal or exaggerated elements to resonate more profoundly. The interplay between the real world and these heightened experiences creates a powerful impact, making the emotions and reactions feel relatable and authentic.
In practice
This quote could be shared in a discussion about the importance of realism in film and theater.
Each one of my movies is going to be about one of these different social demons. The first one, being 'Get Out,' is about race and neglect and marginalization.
I'm a true believer in story. I think when you just tell people to think, people tend to get resistant and defensive and feel like you're accusing them of not thinking.
I'd been taught from an early age that I was in the 'other' category on the standardized tests. You know, I had to go down the checklist - Caucasian, African-American, Latino, Asian-Pacific Islander, and then, you know, at the bottom is other. So, you know, very early on I was taught, in a way, that I was somehow this anomaly.
Part of what horror is, is taking risks and going somewhere that people think you're not supposed to be able to go, in the name of expressing real-life fears.
I love getting cheers. I love giving scares. Anything that really works with the audience makes me happy.
You hear it said time and time again by successful directors: You have to make a movie for yourself. Don't make it for anyone else.
With their souls of patent leather, they come down the road. Hunched and nocturnal, where they breathe they impose, silence of dark rubber, and fear of fine sand.
I don't paint to live, I live to paint.
If you're going to play human beings, and you're going to play them three-dimensionally, you have to show every side of them.
So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - from the beat to the voice to the words.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
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