Liberty's in every blow! Let us do or die.
Robert BurnsRead
The best-laid schemes o' mice an' men, Gang aft a-gley, And leave us nought but grief and pain, For promised joy.
Interpretation
Plans and intentions often go awry, leading to disappointment.
This quote by Robert Burns reflects on the unpredictability of life, suggesting that despite careful planning and hopes for happiness, things often do not turn out as expected. It highlights the inevitable frustration and sorrow that can arise when our aspirations are unmet, reminding us of the fragility of our dreams and the impact of unforeseen circumstances.
In practice
In a speech about handling setbacks in life.
Liberty's in every blow! Let us do or die.
I'm truly sorry man's dominion has broken Nature's social union.
Love's first snow-drop, virgin kiss.
All-cheering Plenty, with her flowing horn, Led yellow Autumn, wreath'd with nodding corn.
Should auld acquaintance be forgot, And never brought to min?
Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.
Ah, distinctly I remember it was in the bleak December;_x000D_ _x000D_ And each separate dying ember wrought its ghost upon the floor._x000D_ _x000D_ Eagerly, I wished the morrow; - vainly I had sought to borrow_x000D_ _x000D_ From my books surcease of sorrow - sorrow for the lost Leonore -_x000D_ _x000D_ For the rare and radiant maiden who the angels name Lenore -_x000D_ _x000D_ Nameless here for evermore.
One cat just leads to another. The place is so damned big it doesn't really seem as though there were many cats until you see them all moving like a mass migration at feeding time.
But where, after we have made the great decision to leave the security of childhood and move on into the vastness of maturity, does anybody ever feel completely at home?
There's a scary moment when you realise you're no longer the youngest person in the room. Especially if you've been a successful young person. That's followed, of course, by the realisation that you're actually the oldest person in the room.
I surrendered my youth to the people I feared when I could have been out there loving someone. Don't make that mistake yourself. Life's too damn short.
When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape.
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