I suppose it is submerged realities that give to dreams their curious air of hyper-reality. But perhaps there is something else as well, something nebulous, gauze-like, through which everything one sees in a dream seems, paradoxically, much clearer. A pond becomes a lake, a breeze becomes a storm, a handful of dust is a desert, a grain of sulphur in the blood is a volcanic inferno. What manner of theater is it, in which we are at once playwright, actor, stage manager, scene painter and audience?

This is the most immediate fruit of exile, of uprooting: the prevalence of the unreal over the real. Everyone dreamed past and future dreams, of slavery and redemption, of improbable paradises, of equally mythical and improbable enemies; cosmic enemies, perverse and subtle, who pervade everything like the air.

The pyramids, attached with age, have forgotten the names of their founders.

However much I have frequented the mystics, deep down I have always sided with the Devil; unable to equal him in power, I have tried to be worthy of him, at least, in insolence, acrimony, arbitrariness and caprice.

Will holding a secret in your heart make it any less true? If you never tell, never speak of it, will it become only a dream, less than a dream, a nightmare half-remembered? Oh, if only the gods would be so good. (Catelyn)

A lot can be told from what happens in between the main moments.