We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
James Weldon JohnsonRead
O Black and unknown bards of long ago, How came your lips to touch the sacred fire?
Interpretation
The quote reflects on the deep influence and inspiration of poets from the past who conveyed profound truths through their art.
In this quote, James Weldon Johnson acknowledges the contributions of unknown poets and artists from history, marveling at how they were able to express such powerful emotions and ideas through their work. He considers the 'sacred fire' as the creative inspiration that fuels artistic expression, suggesting that despite their anonymity, these bards played a vital role in shaping cultural and artistic legacy.
In practice
This quote can be used in a speech celebrating the importance of artists in shaping culture.
We have come over a way that with tears has been watered, We have come, treading our path through the blood of the slaughtered.
There are a great many colored people who are ashamed of the cake-walk, but I think they ought to be proud of it.
The battle was first waged over the right of the Negro to be classed as a human being with a soul; later, as to whether he had sufficient intellect to master even the rudiments of learning; and today it is being fought out over his social recognition.
I believe it to be a fact that the colored people of this country know and understand the white people better than the white people know and understand them.
It is a struggle; for though the black man fights passively, he nevertheless fights; and his passive resistance is more effective at present than active resistance could possibly be. He bears the fury of the storm as does the willow tree.
Southern white people despise the Negro as a race, and will do nothing to aid in his elevation as such; but for certain individuals they have a strong affection, and are helpful to them in many ways.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
I'm really fond of 'Real Life' because I think it anticipated a whole movement. And people forget, they talk about 'Spinal Tap,' but that wasn't... this was a mockumentary a long time before that. It was one of the early, early sort of mockumentaries.
When you work as an actor, you've got to feel safe even in what appears to be the simplest things.
works of art feel towards human beings exactly as we do towards ghosts. The transparency of spectres, the diffuseness in space which lets them drift through doors and walls, and their smell of death, disgust us not more than we disgust works of art by our meaninglessness, our diffuseness in time which lets us drift through three score years and ten without a quarter as much significance as a picture establishes instantaneously.
Picasso is what is going to happen and what is happening; he is posterity and archaic time, the distant ancestor and our next-door neighbor. Speed permits him to be two places at once, to belong to all the centuries without letting go of the here and now.
I can never get over when you're on the beach how beautiful the sand looks and the water washes it away and straightens it up and the trees and the grass all look great. I think having land and not ruining it is the most beautiful art that anybody could ever want to own.
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