What people don’t realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross.
Flannery O'ConnorRead
Let me make no bones about it: I write from the standpoint of Christian orthodoxy. Nothing is more repulsive to me than the idea of myself setting up a little universe of my own choosing and propounding a little immoralistic message. I write with a solid belief in all the Christian dogmas.
Interpretation
The author expresses a commitment to Christian beliefs and rejects the idea of creating a personal moral universe.
This quote by Flannery O'Connor emphasizes her steadfast adherence to Christian orthodoxy and her disdain for personal interpretations of morality that deviate from established dogmas. She values the integrity of traditional Christian beliefs and believes that writing should reflect this foundational perspective rather than a subjective moral framework.
In practice
In a discussion about the importance of traditional values in literature, this quote can illustrate the writer's commitment to their beliefs.
What people don’t realize is how much religion costs. They think faith is a big electric blanket, when of course it is the cross.
If you live today, you breath in nihilism ... it's the gas you breathe. If I hadn't had the Church to fight it with or to tell me the necessity of fighting it, I would be the stinkingest logical positivist you ever saw right now.
There won't be any biographies of me because, for only one reason, lives spent between the house and the chicken yard do not make exciting copy.
Knowing who you are is good for one generation only. You haven't the foggiest idea where you stand now or who you are
He loved her because it was his nature to do so, but there were times when he could not endure her love for him. There were times when it became nothing but pure idiot mystery.
The beginning of human knowledge is through the senses, and the fiction writer begins where the human perception begins. He appeals through the senses, and you cannot appeal through the senses with abstractions.
Men look at women. Women watch themselves being looked at.
Deconstruction seems to offer a way out of the closure of knowledge. By inaugurating the open-ended indefiniteness of textuality-by thus 'placing in the abyss' (mettre en abime), as the French expression would literally have it-it shows us the lure of the abyss as freedom. The fall into the abyss of deconstruction inspires us with as much pleasure as fear. We are intoxicated with the prospect of never hitting bottom
The young are heated by Nature as drunken men by wine.
In overlooking, denying, evading this complexity--which is nothing more than the disquieting complexity of ourselves--we are diminished and we perish; only within this web of ambiguity, paradox, this hunger, danger, darkness, can we find at once ourselves and the power that will free us from ourselves. It is this power of revelation that is the business of the novelist, this journey toward a more vast reality which must take precedence over other claims.
Capitalism does not permit an even flow of economic resources. With this system, a small privileged few are rich beyond conscience, and almost all others are doomed to be poor at some level. That's the way the system works. And since we know that the system will not change the rules, we are going to have to change the system.
The minute you understand racism, you're responsible for being racist. It's like eating from the tree of knowledge.
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