Women's Lib? Oh, I'm afraid it doesn't interest me one bit. I've been so liberated it hurts.
I don't think you should write a book until you tell the absolute truth. You can't do that until you're 85, and I don't want to live that long. I've always prided myself on knowing when to get off, and I hope it works out that way.
Interpretation
What this quote means
Truth in writing requires a lifetime of experience, which the author humorously suggests may take until old age to achieve.
In this quote, Lucille Ball expresses the idea that true authenticity in writing comes from a deep understanding of life, which is often gained over many years. She humorously contemplates the age of 85 as a milestone for achieving this level of truth, indicating both a reflection on the constraints of time and her own decision to prioritize quality over quantity in her work. This suggests a broader commentary on the nature of creativity and the importance of life experience in artistic expression.
Themes
In practice
Example use cases
This quote can be used in a writing workshop to encourage participants to draw from their life experiences.
More from Lucille Ball
All quotes βHow to do half-hour comedy innovatively is something I do pride myself on. We invented it with 'I Love Lucy.'
Whether we're prepared or not, life has a habit of thrusting situations upon us.
Here's what I advise any young struggling actress today: The important thing is to develop as a woman first, and a performer second. You wouldn't prostitute yourself to get a part, not if_x000D_ you're in the right mind. You won't be happy, whatever you do, unless you're comfortable with your own conscience.
My ideal of womanhood has always been the pioneer woman who fought and worked at her husband's side. She bore the children, kept the home fires burning; she was the hub of the family, the planner and the dreamer.
I have an everyday religion that works for me. Love yourself first, and everything else falls into line.
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Where there is no novelty, there can be no curiosity.
The only person who acts sensibly is my tailor. He takes my measure anew every time he sees me. Everyone else goes by their old measurements.
How many times do we lose an occasion for soul work by leaping ahead to final solutions without pausing to savor the undertones? We are a radically bottom-line society, eager to act and to end tension, and thus we lose opportunities to know ourselves for our motives and our secrets.
Do your work, but do your thing.