I remember going into a bookshop, and the only book I saw with a black child on the cover was 'A Thief in the Village' by James Berry, and I thought, 'Is this still the state of publishing?' Then I thought, 'Either I can whine about it or try to do something about it.'
Interpretation
The quote reflects on the lack of representation in publishing and the choice to act rather than complain.
In this quote, Malorie Blackman discusses the stark realization of underrepresentation of black children in literature, as symbolized by the limited choices in a bookstore. Instead of simply lamenting this situation, she emphasizes the importance of taking action to effect change, highlighting a proactive approach to societal issues.
In practice
This quote is perfect for a panel discussion on diversity in children's literature.
What I wanted to do was use literature and different kinds of stories and poems as a springboard, tapping into the creativity of our teens - I wanted teenagers to come up with their own creative responses to literature - using books themselves as a starting point.
I hope to instill, in every child I meet, my love and enthusiasm for reading and stories.
Children will go with any story as long as it's good, but white adults sometimes think that if a black child's on the cover, it is perhaps not for them.
History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.
I read a lot of highly unsuitable books for an 11-year-old. I was desperate to read as widely as possible. I thought, 'There are so many places I am never going to get the chance to visit, but I can if I read them.' And I did. I could go anywhere in the world - and off it - by reading.
Don't you know that boys don't cry?' Adam grinned. 'Shall I tell you something I've only recently discovered,' I replied, not attempting to hide the tears rolling down my face and not the least bit ashamed of them. 'Boys don't cry, but real men do.
I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.
After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it.
She liked books more than anything else, and was, in fact, always inventing stories of beautiful things and telling them to herself.
You want in all cases for the story to get through the writing.
When 'Midnight's Children' came out, people in the West tended to respond to the fantasy elements in the novel, to praise it in those terms. In India, people read it like a history book.
It perhaps might be said--if any one dared--that the most worthless literature of the world has been that which has been written by the men of one nation concerning the men of another.
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