Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
Uta HagenRead
If you want a bourgeois existence, you shouldn't be an actor. You're in the wrong profession.
Interpretation
The quote suggests that pursuing a life focused solely on material wealth is incompatible with the authentic and passionate nature of acting.
Uta Hagen highlights the dichotomy between a conventional, bourgeois lifestyle and the deeper emotional truths required in the acting profession. She implies that actors should embrace authenticity and passion rather than seeking comfort and material success, as true art demands vulnerability and a connection to the human experience.
In practice
During a theater workshop, a mentor might use this quote to encourage aspiring actors to seek deeper truths in their performances.
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
Theoretically, the actor ought to be more sound in mind and body than other people, since he learns to understand the psychological problems of human beings when putting his own passions, his loves, fears, and rages to work in the service of the characters he plays. He will learn to face himself, to hide nothing from himself- and to do so takes AN INSATIABLE CURIOSITY ABOUT THE HUMAN CONDITION
Once in awhile, there's stuff that makes me say, That's what theatre's about. It has to be a human event on the stage, and that doesn't happen very often.
I think that's why I put my energy into making music. That's how I get my thoughts out, instead of being crazy all the time.
It became like a symbolic thing, to be βan artist.β After Duchamp, I realized that being an artist is more about a lifestyle and attitude than producing some product.
What I capture in spite of myself interests me more than my own ideas.
When I was younger, I thought I had to shut myself off, work really hard to cry. I learned after a while that that's just not... You know, often in life, you cry when you're caught off-guard. That's where I need to be when I'm acting, too.
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
When I was 18 and not sure whether I wanted to be an actor, I realised that a playwright has no voice without an actor. That's my reason for acting: to get that character as right as possible for my writer. And I have never changed my philosophy.
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