In a broader sense, the rhythms of nature, large and small - the sounds of wind and water, the sounds of birds and insects - must inevitably find their analogues in music.
Interpretation
Nature influences music, and the patterns found in the environment reflect in musical compositions.
George Crumb's quote highlights the intrinsic relationship between the natural world and music. It suggests that the patterns, sounds, and rhythms of nature, from the gentle rustle of leaves to the melodies of birds, resonate within musical creations, reflecting the beauty and complexity of the environment. This connection underscores the idea that music is not just an art form but a natural extension of the world around us.
In practice
In a speech about the importance of the arts, you might quote Crumb to illustrate how deeply interconnected music is with the environment.
We consider the beauty of nature and art with pleasure and satisfaction, without the slightest movement of desire. Instead, it appears to be a particular mark of beauty that it is considered with tranquil satisfaction; that it pleases if we also do not possess it and we are still far removed from demanding to possess it
I fell in love with skateboarding because it was individual; there were no teams, there were no captains, there was nothing to perfect. No style that had to be measured. It was completely opposite of what I saw in so many sports. It was creative. And to this day, that's what I love, that's always kept me back to it because it's endless creation.
But I think that the spirit of protectionism would be the grave of European cinema. You cannot protect something by building a fence around it and thinking that this will help it survive.
The more restrictions you have, the easier anything is to write.
Writers, you know, are the beggars of Western society.
You find that you have to do many things, more than just lift up the camera and shoot, and so you get involved in it in a very physical way. You may find that the picture you want to do can only be made from a certain place, and you're not there, so you have to physically go there. And that participation may spur you on to work harder on the thing, . . . because in the physical change of position you start seeing a whole different relationship.
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