What the people are within, the buildings express without.
Louis SullivanRead
But the building's identity resided in the ornament.
Interpretation
The quote suggests that the essence of a building is captured through its decorative elements.
Louis Sullivan emphasizes the importance of ornamentation in architecture, arguing that a building's true character and identity stem from its decorative features. This perspective highlights how aesthetic details contribute significantly to the overall perception and significance of architectural design, suggesting that beauty and art are integral to the essence of any structure.
In practice
In a lecture about architectural history, one might quote this to discuss the role of ornamentation.
What the people are within, the buildings express without.
Once you learn to look at architecture not merely as an art more or less well or more or less badly done, but as a social manifestation, the critical eye becomes clairvoyant.
Every building is like a person. Single and unrepeatable.
How strange it seems that education, in practice, so often means suppression: that instead of leading the mind outward to the light of day it crowds things in upon it that darken and weary it.
The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time--- is he who shall create poems in stone.
It was the spirit animating the mass and flowing from it, and it expressed the individuality of the building.
I'm singing what I want to sing based on the emotion of what that day feels like. That's what comes out of my mouth and guitar. That impacts people. They know anything can happen.
Yield to that strange passion which sends you madly whirling round the room.
I don't make judgments about my own work, and I don't analyze it; I just let it happen. That applies to everything I've done.
Ay, Much is the force of heaven-bred poesy.
The object, which is back of every true work of art, is the attainment of a state of being, a state of high functioning, a more than ordinary moment of existence. In such moments activity is inevitable, and whether this activity is with brush, pen, chisel, or tongue, its result is but a by-product of the state, a trace, the footprint of the state.
The weapons an author has at her disposal are flawed. There are words that feel shapeless and overused. Love, for example. I could write the word love a thousand times and it would mean a thousand different things to different readers.
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