I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao AndoRead
When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.
Interpretation
Architecture should harmonize with its surroundings and the experience of those who use it.
In this quote, Tadao Ando emphasizes the importance of holistic architectural design, likening buildings to the human body where all parts must work in concert. He highlights that an architect must consider both the aesthetic composition of the structure and the way individuals interact with and experience the space, suggesting that good architecture transcends mere functionality and engages the senses.
In practice
This quote can be used during a speech at an architecture conference to emphasize the importance of user experience in design.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
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All architecture has a public nature, I believe, so I would like to make a public space.
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In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
Writing is not an exercise in excision, it's a journey into sound.
It's always seemed to me that photography tends to deal with facts whereas film tends to deal with fiction.
Art is dangerous. It is one of the attractions: when it ceases to be dangerous, you don't want it.
The artist does not draw what he sees, but what he must make others see. Only when he no longer knows what he is doing does the painter do good things. A picture is first of all a product of the imagination of the artist; it must never be a copy. If then two or three natural accents can be added, obviously no harm is done. The air we see in the paintings of the old masters is never the air we breathe.
I have the worst ear for criticism, even when I have created a stage set I like, I always hear the woman in the back of the dress circle, who says she doesn't like blue.
I wouldn't want everybody to be an art or literature major, but the world would be poorer - figuratively, anyway - if we were all coding software or running companies. We also want musicians to awaken our souls, writers to lead us into fictional lands, and philosophers to help us exercise our minds and engage the world.
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