I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
Tadao AndoRead
When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.
Interpretation
Architecture should harmonize with its surroundings and the experience of those who use it.
In this quote, Tadao Ando emphasizes the importance of holistic architectural design, likening buildings to the human body where all parts must work in concert. He highlights that an architect must consider both the aesthetic composition of the structure and the way individuals interact with and experience the space, suggesting that good architecture transcends mere functionality and engages the senses.
In practice
This quote can be used during a speech at an architecture conference to emphasize the importance of user experience in design.
I think architecture becomes interesting when it has a double character, that is, when it is as simple as possible but, at the same time as complex as possible
I create enclosed spaces mainly by means of thick concrete walls. The primary reason is to create a place for the individual, a zone for oneself within society. When the external factors of a city's environment require the wall to be without openings, the interior must be especially full and satisfying.
I believe that architecture is fundamentally a public space where people can gather and communicate, think about the history, think about the lives of human beings, or the world.
All architecture has a public nature, I believe, so I would like to make a public space.
I like ruins because what remains is not the total design, but the clarity of thought, the naked structure, the spirit of the thing.
In the West there has always been the attempt to try make the religious building, whether it's a Medieval or Renaissance church, an eternal object for the celebration of God. The material chosen, such as stone, brick, or concrete, is meant to eternally preserve what is inside.
I can think of numberless males, from Bonnard to Callahan, who have photographed their lovers and spouses, but I am having trouble finding parallel examples among my sister photographers. The act of looking appraisingly at a man, making eye contact on the street, asking to photograph him, studying his body, has always been a brazen venture for a woman, though, for a man, these acts are commonplace, even expected.
I write in the morning at a table, longhand on yellow legal pads, just like Nixon, when Iβm doing fiction.
My art speaks and will continue to speak, transcending barriers of nationality, language and other forces that may be divisive, fortifying the greatness of the spirit that has always been the foundation of the Ojibwa people.
The constant fear of a performer is to become what is reflected back at you.
The photographer's most important and likewise most difficult task is not learning to manage his camera, or to develop, or to print. It is learning to see photographically β that is, learning to see his subject matter in terms of the capacities of his tools and processes, so that he can instantaneously translate the elements and values in a scene before him into the photograph he wants to make.
I've spent most of my life embracing violence in wars and revolutions. Even a famine is a form of violence. Because I photograph people in peril, people in pain, people being executed in front of me, I find it very difficult to get my head around the art narrative of photography.
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