Bullfighting is the only art in which the artist is in danger of death and in which the degree of brilliance in the performance is left to the fighter's honor.
Interpretation
Bullfighting is a unique art form where the artist faces life-threatening risks while relying on personal honor for performance quality.
In this quote, Ernest Hemingway highlights the perilous nature of bullfighting as an art, emphasizing that the fighters not only showcase their skill and creativity but also confront the real possibility of death. The mention of 'honor' underscores the importance of integrity and personal commitment in their performance, suggesting that true artistry involves both talent and the willingness to take profound risks.
In practice
This quote can be used in a discussion about the nature of risk in art forms during a panel on creative expression.
He no longer dreamed of storms, nor of women, nor of great occurrences, nor of great fish, nor fights, nor contests of strength, nor of his wife. He only dreamed of places now and the lions on the beach. They played like young cats in the dusk and he loved them as he loved the boy. He never dreamed about the boy. He simply woke, looked out the open door at the moon and unrolled his trousers and put them on.
How did you go bankrupt?" Two ways. Gradually, then suddenly.
When you have shot one bird flying you have shot all birds flying. They are all different and they fly in different ways but the sensation is the same and the last one is as good as the first.
There is never any ending to Paris and the memory of each person who has lived in it differs from that of any other. We always returned to it no matter who we were or how it was changed or with what difficulties, or ease, it could be reached. Paris was always worth it and you received return for whatever you brought to it. But this is how Paris was in the early days when we were very poor and very happy.
Wine is the most civilized thing in the world.
There is no rule on how to write. Sometimes it comes easily and perfectly; sometimes it's like drilling rock and then blasting it out with charges.
Architecture begins to matter when it brings delight and sadness and perplexity and awe along with a roof over our heads.
It's not that he lacked poetry. But his poetry was of the body, not the mind. He spoke it in the way he moved, the way he held a hammer, rowed a boat, built a fire. I, on the other hand, was like a brain in a box, a beating heart in a coal scuttle.
Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom.
As a writer of fiction, I spend my days inventing real lives for make-believe people; what I create can only seem real.
Poets are never allowed to be mediocre by the gods, by men or by publishers.
You have to open the music, so to speak, and see what's behind the notes because the notes are the same whether it is the music of Bach or someone else.
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