I got into the business because I love writing. When it came down to finding my voice, which every writer has to take time to do, I think I realized I write black people very well. I write us in a very honest way, and I want to hear the way we really talk.
Interpretation
The quote reflects a writer's passion for authenticity and representation in storytelling.
Lena Waithe emphasizes the importance of finding one's unique voice as a writer, particularly regarding the representation of Black experiences. She values the honesty in portraying the genuine way Black people communicate and live, highlighting her commitment to truthful storytelling that resonates with her community.
In practice
This quote can inspire writers at a workshop to embrace their identity in their narratives.
As a black woman in the industry, you really do have to hold your head higher, stick your chest out, be kind and polite and generous even when you don't want to be sometimes. I learned that and, also, just to never take no for an answer.
Being a black lesbian myself, I roll my eyes a little bit when I see black lesbian characters on shows where it's purely there for decoration. You can just hear it in the writers room... 'What if we make her a lesbian?'
It's weird because I see black gay characters on television all the time, but do I relate to them? Not always, because they're set pieces.
The cool thing about dope black style becoming in style is that the industry has no choice but to try and reduplicate that.
For me, it's about making art that's not good but phenomenal. James Baldwin didn't want to just stay above the fray. Prince didn't think, 'I wonder what the industry is gonna think about 'Purple Rain.'' It's just, is this honest? Is this real? Does this move me? The rest is icing.
Being born gay, black, and female is not a revolutionary act. Being proud to be a gay black female is.
Music is such a great communicator. It breaks down linguistic barriers, cultural barriers, it basically reaches out. That's when rock n' roll succeeds, and that's what virtuosity is all about.
In Seattle, I soon found that my radical ideas and aesthetic explorations - ideas and explorations that in Richmond, Virginia, might have gotten me stoned to death with hush puppies - were not only accepted but occasionally applauded.
Why one writes is a question I can answer easily, having so often asked it of myself. I believe one writes because one has to create a world in which one can live. I could not live in any of the worlds offered to me - the world of my parents, the world of war, the world of politics. I had to create a world of my own, like a climate, a country, an atmosphere in which I could breathe, reign, and recreate myself when destroyed by living. That, I believe, is the reason for every work of art.
A work of art is good if it has arisen out of necessity. That is the only way one can judge it.
I'd love to remain a secret and still work, but I also want people to see the movies I'm in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.
Only through art can we emerge from ourselves and know what another person sees.
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