Your business as a writer is not to illustrate virtue but to show how a fellow may move toward it or away from it.
Interpretation
Writers should focus on depicting characters' journeys towards or away from virtue rather than simply illustrating what virtue is.
This quote highlights the role of writers in exploring the complexities of human nature. Instead of merely presenting idealized notions of virtue, the writer's task is to reveal the struggles and choices that characters make, illustrating the paths individuals can take in their moral journeys.
In practice
During a writing workshop, you might share this quote to inspire budding authors.
...the air so still it aches like the place where the tooth was on the morning after youβve been to the dentist or aches like your heart in the bosom when you stand on the street corner waiting for the light to change and happen to recollect how things once were and how they might have been yet if what happened had not happened.
The poem is a little myth of man's capacity of making life meaningful.
And what we students of history always learn is that the human being is a very complicated contraption and that they are not good or bad but are good and bad and the good comes out of the bad and the bad out of the good, and the devil take the hindmost.
Yet the definition we have made of ourselves is ourselves. To break out of it, we must make a new self. But how can the self make a new self when the selflessness which it is, is the only substance from which the new self can be made?
So little time we live in Time,_x000D_ _x000D_ And we learn all so painfully,_x000D_ _x000D_ That we may spare this hour's term_x000D_ _x000D_ To practice for Eternity.
For what is a poem but a hazardous attempt at self-understanding: it is the deepest part of autobiography.
Read with care, George Orwell's diaries, from the years 1931 to 1949, can greatly enrich our understanding of how Orwell transmuted the raw material of everyday experience into some of his best-known novels and polemics.
There were thousands of brown books in leather bindings, some chained to the book-shelves and others propped against each other as if they had had too much to drink and did not really trust themselves. These gave out a smell of must and solid brownness which was most secure.
Under adversity, under oppression, the words begin to fail, the easy words begin to fail. In order to convey things accurately, the human being is almost forced to find the most precise words possible, which is a precondition for literature.
That's why we read fiction, isn't it? To remind us that whatever we suffer, we're not the only ones?
Literature takes a habit of mind that has disappeared. It requires silence, some form of isolation, and sustained concentration in the presence of an enigmatic thing.
Does the novel have to deepen the psychology of its heroes? Certainly the modern novel does, but the ancient legends did not do the same. Oedipus' psychology was deduced by Aeschylus or Freud, but the character is simply there, fixed in a pure and terribly disquieting state.
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