I am a camera with its shutter open, quite passive, recording, not thinking.
Interpretation
This quote suggests that the observer simply records experiences without actively interpreting them.
Christopher Isherwood uses the metaphor of a camera to illustrate the role of a passive observer in life. The 'camera' represents a mind open to experiences, capturing moments without emotional involvement or personal judgment, highlighting a perspective of detachment that can lead to authenticity in recording reality.
In practice
During a photography workshop, you might use this quote to inspire participants to observe their surroundings without bias.
The more I think about myself, the more I'm persuaded that, as a person, I really don't exist. That is one of the reasons why I can't believe in any orthodox religion: I cannot believe in my own soul. No, I am a chemical compound, conditioned by environment and education. My "character" is simply a repertoire of acquired tricks, my conversation a repertoire of adaptations and echoes, my "feelings" are dictated by purely physical, external stimuli.
A minority is only thought of as a minority when it constitutes some kind of threat to the majority, real or imaginary. And no threat is ever quite imaginary.
What’s so phony nowadays is all this familiarity. Pretending there isn’t any difference between people —well, like you were saying about minorities, this morning. If you and I are no different, what do we have to give each other? How can we ever be friends?
I'm like a book you have to read. A book can't read itself to you. It doesn't even know what it's about. I don't know what I'm about.
The paternalist is a sentimentalist at heart, and the sentimentalist is always potentially cruel.
I am a camera, with its shutter open. Someday, all of this will be developed, printed, fixed.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
Music itself is going to become like running water or electricity. So it's like, just take advantage of these last few years because none of this is ever going to happen again. You'd better be prepared for doing a lot of touring because that's really the only unique situation that's going to be left.
A musical profit outweighs a financial loss.
Make something, a kind of object, which as it changes or falls apart (dies as it were) or increases in its parts (grows as it were) offers no clue as to what its state or form or nature was at any previous time. Physical and Metaphysical. Obstinacy. Could this be a useful object?
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