The capacity to be puzzled is the premise of all creation, be it in art or in science.
Interpretation
Being puzzled or confused can spark creativity in both art and science.
Erich Fromm suggests that the ability to feel puzzled or confronted by the unknown is fundamental to creativity. This sense of confusion prompts inquiry and exploration, leading to new ideas and innovations in both artistic and scientific endeavors. It highlights the importance of questioning and wondering as vital components of the creative process.
In practice
In a motivational speech about creativity in arts, one might use this quote to emphasize the value of questioning.
Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict; joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are only one with each other by being one with themselves, rather than by fleeing from themselves.
Both dreams and myths are important communications from ourselves to ourselves. If we do not understand the language in which they are written, we miss a great deal of what we know and tell ourselves in those hours when we are not busy manipulating the outside world.
Infantile love follows the principle: "I love because I am loved." Mature love follows the principle: "I am loved because I love." Immature love says: "I love you because I need you." Mature love says: "I need you because I love you.
To have faith requires courage, the ability to take a risk, the readiness even to accept pain and disappointment. Whoever insists on safety and security as primary conditions of life cannot have faith; whoever shuts himself off in a system of defense, where distance and possession are his means of security, makes himself a prisoner. To be loved, and to love, need courage, the courage to judge certain values as of ultimate concern β and to take the jump and to stake everything on these values.
In times of change, learners inherit the earth
In the nineteenth century the problem was that God is dead. In the twentieth century the problem is that man is dead.
The reality of the final moment, just before shooting [the scene], is so powerful that all previous analysis must yield before the impressions you receive under these circumstances, and unless you use this feedback to your positive advantage, unless you adjust to it, adapt to it and accept the sometimes terrifying weaknesses it can expose, you can never realize the most out of your film.
I want my little corner of the world where I get to make games where you're not trying to win or lose; you're not trying to get a higher score - you are having unbelievable amounts of fun as you learn about yourself and the world. That's what games can do!
Writing can be taken up at any point. But you need to remember that the arts are fundamentally unfair. Hard work and diligence won't necessarily take you all the way. Talent, nepotism, influence, and pure luck play a huge part.
The books that I'm writing, you can write them only when you're amongst your people. You're not going to find it on the Internet. You're not going to hear it there.
People associate me with a time when movies were pleasant, when women wore pretty dresses in films and you heard beautiful music. I always love it when people write me and and say 'I was having a rotten time, and I walked into a cinema and saw one of your movies, and it made such a difference.'
I love singing jazz. I don't like the idea that classical music should be over here and jazz should be someplace else. It's all wonderful, and we should be open to enjoying it all.
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