My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
Sidney PoitierRead
In my case, the body of work stands for itself... I think my work has been representative of me as a man.
Interpretation
This quote emphasizes the importance of one's work as a reflection of their identity and character.
Sidney Poitier suggests that the value of his artistic contributions is self-evident, and that his body of work serves as a testament to who he is as a person. It implies that one's achievements in their field can convey much about their values, beliefs, and integrity, highlighting the interconnectedness of art and personal identity.
In practice
This quote can be used in a presentation about the significance of artistic integrity.
My father was a certain kind of man - I saw how he treated my mother and his family and how he treated strangers. And I vowed I would never make a film that would not reflect properly on my father's name.
My father was the quintessential husband and dad.
I wanted to explore the values that are at work, underpinning my life.
We suffer pain, we hang tight to hope, we nurture expectations, we are plagued occasionally by fears, we are haunted by defeats and unrealized hopes . . . The hoplessness of which I speak is not limited.
We're all imperfect, and life is simply a perpetual, unending struggle against those imperfections.
I was the only Black person on the set. It was unusual for me to be in a circumstance in which every move I made was tantamount to representation of 18 million people.
Perhaps the meaning of all human activity lies in the artistic consciousness, in the pointless and selfless creative act? Perhaps our capacity to create is evidence that we ourselves were created in the image and likeness of God?
until only infinity remained of beauty
Well, the way I play, I try not to be a 'repeater pencil', ya dig? Originality's the thing. You can have tone and technique and a lot of other things but without originality you ain't really nowhere. Gotta be original.
If you want to make a documentary you should automatically go to the fiction, and if you want to nourish your fiction you have to come back to reality.
Detroit, my 'great' subject, made me the person I am, consequently the writer I am - for better or worse.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
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